Dear RarePairFest writer

28 Jun 2017 10:55 pm
trobadora: (Grimm - OT3)
[personal profile] trobadora
Dear RarePairFest writer,

thank you so much for writing a story for me! I'll be absolutely thrilled about anything you can create about the relationships I requested, and everything important is in the requests themselves, but if you'd like some additional info/ideas/thoughts, here's some of it:

General Preferences

Fic Likes & Dislikes )

I hope this is useful for telling you about the kinds of things I like to read. :)

Now for the fandoms and ships I requested, in no particular order:

Requests

Doctor Who - Twelve/Jack/Missy, Jack/Missy )

Grimm - Nick/Renard/Juliette, Nick/Renard, Renard/Juliette )

Legend of the Seeker - Cara/Darken Rahl )

Terminator: The Sarah Connor Chronicles - Sarah Connor/Catherine Weaver )

Links

28 Jun 2017 09:58 pm
selenak: (Londo and Vir by Ruuger)
[personal profile] selenak
This week, Potterdom had its twentieth anniversary. I always felt somewhat on the periphery of the fandom - I enjoyed the books and read some of the fanfic, I did have some opinions and theories while the books were published, but I never felt compelled to write fanfic myself, I didn't ship anyone with anyone else, and I don't think I had a Harry-Potter-related argument with anyone. Oh, wait, I think I did argue, but only in one post, about how whoever sorted the Beatles into HP houses and put John in Slytherin and Paul in Gryffindor was completely wrong, and then I wrote some silly meta fic to prove it. But other than that.

Anyway: I'm still fond of the books and some of the fanfic, and so I was delighted to see [profile] fernwithy celebrated the anniversary by writing a story about Harry shortly after Voldemort's death, trying to figure out where to go from there, and, not so coincidentally, what to do with Grimmauld Place 12, which as you'll recall Sirius left him, co-starring Kreacher and Andromeda Tonks, with cameos for Dudley and Petunia Dursley,

Broken

It captures grief, survivor's guilt, empathy, hope so very, very well.


Meanwhile, I just found there's this lovely bit from the last convention which both Stephen Furst and Peter Jurasik attended:



Boo on the cheapness of Warner Brothers, but aww on these two.

Wednesday Reading Meme

28 Jun 2017 12:34 pm
sineala: Detail of Harry Wilson Watrous, "Just a Couple of Girls" (reading)
[personal profile] sineala
I got three hours of sleep and I keep coughing myself awake. Ugh. I hate everything.

What I Just Finished Reading

Elizabeth Letts, The Eighty-Dollar Champion: Snowman, the Horse that Inspired a Nation: The reviews of this are split between "wow, this is poorly-written" and "OMG HORSIE." I have to say it is indeed very poorly written, but the story is compelling -- I mean, horse rescued from the slaughterhouse, turning out to be a champion jumper? It was pretty good. Also I learned that the US Army had horse breeding programs up through WWII even though horses were much less useful than they'd hoped.

What I'm Reading Now

Comics Wednesday!

Black Panther #15, Defenders #2, Infamous Iron Man #9, Mighty Captain Marvel #6, Moon Girl and Devil Dinosaur #20, Secret Empire #5, X-Men Blue #6 )

What I'm Reading Next

I have no idea.

Happy birthday to me.

28 Jun 2017 12:53 am
sineala: Detail of The Unicorn in Captivity, from The Hunt of the Unicorn Tapestry (Default)
[personal profile] sineala
It is now my birthday! Go me!
neonvincent: Detroit where the weak are killed and eaten T-shirt design (Default)
[personal profile] neonvincent
Saved comments aren't the only records whose potential loss from this CPU becoming nonfunctional or obsolete worry me. So do my listings of the top posts of every month from my main blog, Crazy Eddie's Motie News. I normally turn those into monthly summary posts, but I haven't done so since posting August 2016's stats last September. Therefore, I'm alternating posting saved comments with monthly stats, again in reverse chronological order, beginning with May 2017's listing.

May 2017's stats and top posts behind the cut. )



trobadora: (Sherlock/Moriarty - in the darkness)
[personal profile] trobadora
[community profile] holmestice reveals have happened! And the whole fest has been so much fun, I can't wait for the next round. I've even already made notes for my next sign-up! Any other Holmes fans around? Because you should absolutely join, it's a blast. :D

(Though I'll really need an ACD icon, or at least a more general Sherlock Holmes one. Not that I haven't been looking ...)

But first, here's the story I wrote for this round:

Title: The Question
Fandom: Sherlock Holmes - ACD
Characters: Sherlock Holmes, Professor Moriarty (with appearances by Lestrade, Watson, and Moran)
Rating: PG-13
Warnings: none
Summary: Of all the unanswered questions I had collected over the course of my career, none weighed upon me as much as that posed by the inexplicable inaction of Professor Moriarty.
A/N: Written for [personal profile] graycardinal during the Holmestice 2017 Summer Round. Many thanks to [personal profile] fluffyllama and [personal profile] wojelah for all their help!

Originally posted at the Holmestice comm and at AO3.

The Question )

Book Recs and News

27 Jun 2017 09:49 am
marthawells: (Reading)
[personal profile] marthawells
News: If you missed it yesterday, there are going to be two more Murderbot novellas for a total of four, and 2, 3, and 4 are all coming out next year.


***

(If you've been following my book rec and new book listing posts for a while, you may have noticed this already, but while most book lists emphasize books by popular straight white men, this one emphasizes everybody else. I include books by straight white men, but in about the same percentage that other book lists include everybody else. I also try to highlight books that are less well known.)

(I only link to one retail outlet in the book's listing, but most books are available at multiple outlets, like Kobo, iBooks, international Amazons, Barnes & Noble, etc. The short stories are usually on free online magazines.)


Short story: The White-throated Transmigrant by E. Lily Yu


* Miles Morales - A Spider Man Novel by Jason Reynolds
Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He's even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he's Spider Man.


* Bright Thrones by Kate Elliott
An exciting e-novella set in the world of the New York Times bestselling Court of Fives, from World Fantasy Award finalist Kate Elliott!


* Drawing Dead by SM Reine
The vampire slayer is turning into a vampire? Over her dead body. Dana McIntyre has been bitten by a master vampire. She's infected with the venom. And after killing hundreds of vampires to keep Las Vegas safe, she'd rather die than turn.


* Kangaroo Too by Curtis C. Chen
On the way home from his latest mission, secret agent Kangaroo’s spacecraft is wrecked by a rogue mining robot. The agency tracks the bot back to the Moon, where a retired asteroid miner—code named “Clementine” —might have information about who’s behind the sabotage. Clementine will only deal with Jessica Chu, Kangaroo’s personal physician and a former military doctor once deployed in the asteroid belt. Kangaroo accompanies Jessica as a courier, smuggling Clementine’s payment of solid gold in the pocket universe that only he can use.


* The Strange Case of the Alchemist's Daughter by Theodora Goss
Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture...a reward that would solve all of her immediate financial woes. But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.


* Mapping the Interior by Stephen Graham Jones
Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella. Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.


* Shattered Minds by Laura Lam
Carina used to be one of the best biohackers in Pacifica. But when she worked for Sudice and saw what the company's experiments on brain recording were doing to their subjects, it disturbed her—especially because she found herself enjoying giving pain and contemplating murder. She quit and soon grew addicted to the drug Zeal, spending most of her waking moments in a horror-filled dream world where she could act out her depraved fantasies without actually hurting anyone.


* The Last Good Man by Linda Nagata
carred by war, in pursuit of truth: Army veteran True Brighton left the service when the development of robotic helicopters made her training as a pilot obsolete. Now she works at Requisite Operations, a private military company established by friend and former Special Ops soldier Lincoln Han. ReqOp has embraced the new technologies. Robotics, big data, and artificial intelligence are all tools used to augment the skills of veteran warfighters-for-hire. But the tragedy of war is still measured in human casualties, and when True makes a chance discovery during a rescue mission, old wounds are ripped open. She’s left questioning what she knows of the past, and resolves to pursue the truth, whatever the cost.


* Mars Girls by Mary Turzillo
What Nanoannie and Kapera find at the Smythe’s Pharm is more than the girls bargained for. The hab has been trashed and there are dead bodies buried in the backyard! If that wasn’t bad enough, the girls crash the rover and Kapera gets kidnapped by Facers who claim her parents are murderers! Between Renegade Nuns, Facers, and corp geeks, Nanoannie and Kapera don’t know who to trust or where to go. Kapera only wants to find her parents so they can get to Earth Orbitals and she can be treated for her leukemia. Nanoannie wants to help her friend and experience a little bit of Mars before selling her contract to the first corp that offers to buy it.

Saved comments from May 2017

27 Jun 2017 09:54 am
neonvincent: For posts about cats and activities involving uniforms. (Krosp)
[personal profile] neonvincent
One of today's "On This Day" notifications on Facebook was the first status I wrote on this computer two years ago.  That made me a bit anxious, as my desktops have lasted about two years on average before they either become obsolete or something bad befalls them.  That compounded another anxiety of mine, that I would lose the comments I've saved on my desktop computer that I sometimes recycle for blog posts.  A recent event made that anxiety more acute; the closing of The Archdruid Report and The Well of Galabes, complete with the loss of all my comments there.  I have all of them from January 2015 to the present saved, but all of them from 2013 and 2014, including some that I thought needed re-examination, are all lost.  I don't want that to happen to the rest because of computer failure, so I'm saving them here in reverse chronological order, beginning with the ones from May 2017.  Most are from Kunstler's blog, but there are also comments from Booman Tribune and The Well of Galabes.

Saved comments from Kunstler's blog, Well of Galabes, and Booman Tribune behind this text. )

Munich Film Festival II

27 Jun 2017 11:28 am
selenak: (Orson Welles by Moonxpoints5)
[personal profile] selenak
The Infiltrator was part of the Bryan Cranston retrospective and basically came across as a well-made routine thriller without anything being either bad or having anything innovative going for it. I.e. if you've watched thrillers about undercover cops working to bring a drug cartel down, you can predict all of the story beats. (Other than one spoilerly bit ).) It's entertaining and does what it sets out to do, and needless to say Cranston is reliably good in the part, but I wouldn't say it's a must.

City of Ghosts, otoh, was a fantastic documentary, directed by Matthew Heineman, about the citizen journalist group Raqqa is being slaughtered silently (RBBS). Before I watched it, I was unfamiliar with the phrase "citizen journalist" , but it's really a perfect description, because before the IS came to Raqqa, only one of them was a journalist, the rest had professions like high school math teacher or engineer. Nonetheless, they took incredible risks getting out photos and film evidence of the atrocities the so called Islamic State visited - and still visits upon their city. The surviving founders of the group had to flee but they still have some members in Raqqa, trying their best to continue getting material out. I'm always hesitant to use the phrase "real life heroes", but these people are truly heroic, and one thing that galls me especially is that when they've made it alive to Germany and safety, they promptly run into one anti-refugees march by the godawful AFD in Berlin.

The documentary starts during the "Arab Spring" in 2012, for which the Assad Regime going after Raqqa school children was one of the local triggers, and ends last year. We follow the core group of RBBS; Heineman is an invisible presence, he lets them narrate their stories, and when there's background information/exposition, such the way the IS uses the media for recruitment changed radically from the very early static speech videos to the Hollywood style big production videos that came into use after the fall of Raqqa, the activists are doing the explaining (subtitled, for the most part, everyone talks in Arabic) while the audience sees excerpts of the videos in question. BTW, I'd never seen an IS recruitment video before, and I have to say, the exact copying of action movie gimmicks and aesthetics (complete with following-the-bullet shots, soundtrack, etc.) is nearly as unsettling as the content. It's not much of a comfort that RBBS was able to puncture the IS self image enough by getting videos and photos showing the true state of Raqqa out to counteract the IS claims about it that the IS forbade any satelites in Raqqa and ordered the inhabitants to publically destroy theirs, so they regain control of the imagery. But it's something.

If the excerpts from the IS videos go for action movie gloss on violence, the mobile phone camera made videos of the RBBS are shaky, abruptly cut off, full of (inevitably) strange angles - and shocking in quite a different way. For example, the first time we see executions, the abrupt deaths and the already dead bodies lying around are bad enough, but without either the camera or any narrator pointing this out, what is as gruesome is what you see in the background. Yes, these are heads on pikes on what used to be the town square, not cheap movie props in the latest zombie splatter, but real human heads.

There's a lot of survivors guilt among the activists; one of them had to watch his father being executed in punishment, all of them are directly threatened by the IS who calls for their deaths, one lost his brother who was among the refugees who drowned in the Mediterranean, and when he talks about his dead brother, he says he still sends him messages per Facebook (as the account hasn't been taken down). "I am broken, my brother. Broken." And yet, and yet, they still continue to risk their lives. There's also a lot of comraderie we see, being physically comfortable with each other, and the rare moment of pure joy, such as everyone having a snowball fight in Berlin. You feel for them, and admire them - and hope the movie will be seen by as many people as possible. Maybe it will remind them that 95% of the victims of IS terrorism are Muslims - and said victims won't, shan't be silenced, are doing their best to fight back.

L'Intrusa, directed by Leonardo di Costanzo, is, like The Infiltrator, "based on a true story", with organized crime in the background, but the contrast couldn't be greater. While delivering a tight narration, there's nothing routine or slick about this movie, which is set in Naples and manages to avoid every single cliché. The fact you don't see the Vesuvio or the bay anywhere is just one of them; L'Intrusa is set in one of the poor quarters. The central characteris Giovanna, who has organized a miixture of daycare centre and social centre for kids and teenagers to offer them a life off the streets. When the film starts, the centre is well established and has been running for years, has been embraced by the neighborhood - but then something happens that puts Giovanna in an unsolvable dilemma. One of the small to mid level gangster's wives - Maria - and her two children have come to the centre, claiming refuge. Giovanna, Maria's daughter Rita and Maria are the three main characters; the supporting cast is also individualized, from Giovanna's right hand woman Sabina to the widow of a man Maria's husband has shot to the little daughter whose father was beaten to a pulp by Maria's husband right in front of her.

L'Intrusa never shows on screen violence. It doesn't show the Camorra doing what the Camorra does, but the after effects are present everywhere. This was a deliberate choice by the director, who in the Q & A said that if you depict Mafiosi "from the front", i.e. put them in the centre of the narration, even if you position them as villains, you end up making them in some ways sympathetic or even glorify them. "So, in my films, I only come at them sideways" - i.e. they're not there on screen, but there's no mistaking the terribile effect they have. Now, the centre is a film full of life and joy, with a community acting together, and it's rare and very attractive to see that. But it's not utopia, and in fact the need for it directly grows out of the unseen horrors around it. Not surprisingly, more and more parents object to Maria's presence. Giovanna gets accused of prioritizing the perpretators over their victims. The aunt of the little girl who has seen her father beaten into a pulp demands to know how she should justify to her sister letting her niece interact, let alone play with Rita, what that would do to her niece. Things come to a head when Rita and some of the kids argue, a normal kids' argument, with the parents drawn into, but Maria isn't just any parent, and so when she says "if you touch my daughter again etc.", the awareness that this is the wife of someone who casually kills people, even if he's currently arrested and hopefully won't get out of prison any time soon, makes this a direct threat to the other kids.

Otoh, Giovanna's argument is: if you ever want to break the cycle of violence, you need to make sure that the Marias of the world don't raise their children to follow their fathers' footsteps. That these children learn other values, learn something different. If she turns these children away from the centre, this will not happen.

As I said: it's an unsolvable dilemma, and the movie doesn't simplify it. It even adds to the stakes because Maria at first comes across as arrogant and rude (it's not until well into the film when you see her alone that you realise she's shattered and scared as well). Not to mention that she starts out by deceiving Giovanna, and there's early on not much to justify Giovanna's hope that Maria actually wants a change for herself and her children - nothing but the fact Maria is here instead of being with her rich sister-in-law, who in the movie shows up twice in a big car to retrieve Maria, in vain, and evidently lives the well funded Mafia spouse life. Basically: you understand where everyone is coming from.

Something else I learned in the Q & A was that most of the actors were lay actors, actual Neapolitans whose main job is in social service (though no one played themselves), with Giovanna being played by a woman who is a dancer and dance choreographer. "Because Giovanna doesn't say much, she's so stoic, she expresses herself through her body language," said the director, "I wanted someone who could do that, that's why I picked Raffaela Giordano." Who indeed is able to express much by the way she looks at people, by her movements, and who looks like she's closer to 50 than to 40. Everyone looks "normal", i.e. like people you could meet on the streets, not like well styled actors with a daily workout. But none act amateurishly in the sense that you're taken outside the story or feel they're talking stiltedly; given Rita and the other children are a big part of the story, that's especially amazing.

Favourite detail: one of the projects the kids in the centre work on, and the one Rita falls in love with and participates with, is building a robot they name "Mr. Jones" out of old bicycle parts. You can bet that in most other movies, Rita and her baby brother would have changed placed in age and it would have been a little boy fascinated with the robot.

In conclusion: probably my favourite movie so far, and highly reccomended
umadoshi: (Deadline Russian cover)
[personal profile] umadoshi
New DW Communities

[dreamwidth.org profile] drawesome is "a friendly community of fan-artists who enjoy drawing. We hope to inspire and motivate each other to practice and hone our drawing skills in a stress-free, supportive environment."

[dreamwidth.org profile] comicsroundtable is "a fannish community for comics discussion, reviews, and general chat."


Fannish/Geeky Things

Neat Twitter thread on Wonder Woman costuming, written by a costume designer.

"Wonder Woman Actor Says Chief Is Actually a Demi-God". [io9]

"Dungeons & Dragons Wouldn’t Be What It Is Today Without These Women".

"More Murderbot Adventures from Martha Wells". [Tor.com]


Miscellaneous

"Disney Princesses Reimagined Years Later As Queens By Daughters And Mothers". "The main idea was to portray the relationship between a true mother and daughter as the same princesses a generation apart to show the similarities, the features that are alike." (Related ~10-minute YouTube video, which I haven't watched.)

"Report Finds Diverse Movies Outperform White Ones At Every Level".

"Declawing: A new study shows we can’t look the other way".

"Host a Silent Reading Party in 7 Easy Steps". [Book Riot]

"Why Honeybees Are The Wrong Problem To Solve".

"Invention Saves Wildlife From Drowning in Swimming Pools".

"Sitka artist designs slinky dress from 20,000 salmon bones".

"How I use comic books as a learning tool in my social studies classroom". [March 2016]



On Atlas Obscura:

--"Most of the World’s Bread Clips Are Made by a Single Company".

--"Jupiter Is Even Weirder Than We Thought".

--"Laurel Dinosaur Park: This dig site outside D.C. is known for its exceptionally high density of baby dinosaur fossils and dinosaur eggs".

--"The Wartime Spies Who Used Knitting as an Espionage Tool".

from the department of random

26 Jun 2017 08:41 pm
trobadora: (Castiel - headache)
[personal profile] trobadora
Oops, where did the last month go? I seem to have fallen out of the habit of regular posting again, so let's make an effort to change that. Some random things I neglected to post about recently:
  1. Wayward Daughters is actually happening! Well, it's called Wayward Sisters, but still – I never thought this would actually happen. Here's hoping it takes off, I really want this show.

  2. Bizarre yoghurt flavour of the day: coffee/orange/chocolate balls. Not bad, actually!

  3. [community profile] holmestice: the anonymous period is nearly over, and I actually managed to read almost everything I meant to read, yay! Some lovely fic in there, including my own gift, an ACD Holmes/Moriarty fic about the early period of Holmes becoming aware of Moriarty's existence. Fabulous! ♥

    And here's a guessing post, if anyone wanted to take a stab at guessing what I might have written. Not that it's any great mystery if you know me at all, or have been listening to my Sherlockian ramblings for the last few months. *g*

  4. Doctor Who: MISSY MISSY MISSY. I'm so in love with her, and with the show, and I really need to write a proper post, but the suspense is killing me, and I really need to see the finale before I can properly sort out my thoughts. In the mean time: OMG MISSY!!!!!1!!11!eleventy!1!

  5. Over on [community profile] wintercompanion, we're busy preparing for Summer/Winter Holidays, which will start on the 1st. Some really fabulous entries again! And we're still waiting for more.

  6. My [community profile] everywoman fic still needs some editing, and then I need to spend the weekend focusing on my NPT fic. Why is everythin so busy at the moment, including work? *hides under blanket*

There, that's a start, right? Here's hoping I'll manage to post more frequently again!

Raksura and Other Stuff

26 Jun 2017 07:15 am
marthawells: (The Serpent Sea)
[personal profile] marthawells
Yesterday was the anniversary of the day I found out The Cloud Roads sold to Night Shade, after two years of visiting and being rejected by various publishers.

So I posted: https://marthawells.tumblr.com/post/162255829557/something-else-ive-been-meaning-to-post-the The entry on the Three Worlds from Worlds Imagined: The Maps of Imaginary Places Collection for the Cushing Library exhibit.

I got my author's copies of the trade paperback of The Harbors of the Sun on Friday, so it should start showing up soon. The hardcover will probably be a week or so later, and the ebook will drop on July 4.


***


Murderbot got a really nice review on The Verge: https://www.theverge.com/2017/6/25/15837368/all-systems-red-murderbot-chronicles-martha-wells-book-review

Our protagonist got its name after killing a bunch of company employees on another planet a couple of years ago, but while it has a bit of a bloodstained history, this isn’t Hal from 2001: A Space Odyssey. It’s a dour security bot that likes to watch steamy soap operas, and would rather be left alone. After its murderous rampage, it hacked its own governor module, not wanting to fall victim once again to hardware manufactured by a company that cuts corners to save a buck.


Ann Leckie also liked Murderbot:

http://www.annleckie.com/2017/06/23/recent-reading/

I’m not kidding, I can almost guarantee that my readers will enjoy this. I have already pre-ordered volume 2, which is out in January.


***


The Authors Auction for the victims of Grenfell Tower is going until June 27. My item is https://authorsforgrenfelltower.com/2017/06/23/signed-copy-of-the-murderbot-diaries-all-systems-red-by-martha-wells/

and the whole list of items is

https://authorsforgrenfelltower.com/items-for-auction-2/


***


If you need a quick break today, "Night at the Opera" is still free at Podcastle in text and audio:

http://podcastle.org/index.php?s=night+at+the+opera

It's a prequel to The Death of the Necromancer


***


I'm doing a signing with Rachel Caine at Murder By The Book in Houston, TX, on Saturday, July 15, at 4:30, and you can order our books and get them signed and personalized and shipped to you: http://www.murderbooks.com/event/wells-caine

Orphan Black 5.03

26 Jun 2017 07:58 am
selenak: (Allison by Spankulert)
[personal profile] selenak
And my show love is back! Woo hoo! That was a fantastic episode.

Read more... )

(no subject)

26 Jun 2017 02:16 pm
elle_white: (Sailor Moon: Guts!)
[personal profile] elle_white
 It will take a while, but I want this place to feel like home again. Just have to put the furniture back where it was, and form a semi-regular posting habit. XD
duskpeterson: (bookshelves)
[personal profile] duskpeterson


THIS MONTH'S THEME: Middle East & North Africa

A number of my characters come from societies that are partially based on societies in the Middle East and North Africa.

The Koretians and Daxions of the Three Lands series are descended from a desert people who are based loosely upon the Bedouin. (Very loosely. When I started the series at age sixteen, I had a vague sense of the Koretians being connected with desert life; the rest I gradually pieced together as time went on.) Although the people of Koretia and Daxis have lost most of their desert customs over the centuries, their cultures remain strongly based on kinship; in Koretia, this often takes the form of men vowing to be blood brothers. In addition, the traditional Koretian system of justice is based partially on honor codes. By the time that the Three Lands series begins, the Koretian justice system has been tainted by such practices as blood feuds.

An early test cover for an installment of Breached Boundaries:

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Southern Vovimians appear in several parts of the Turn-of-the-Century Toughs cycle: Transformation 3: A Prisoner Has Need (The Eternal Dungeon), Sweet Blood 4: Checkmate (The Eternal Dungeon), Whipster (Michael's House), Mercy's Prisoner (Life Prison), and Hell's Messenger (Life Prison). Southern Vovim is what we would call a pan-African settlement in the New World, but its original founders were from the Toughs world's equivalent of the Kingdom of Kush in what is now Sudan (and also Egypt, during the century in which Kushites were pharoahs). More can be learned about the Kushites in the Wikipedia article on Meroë. (Again, it took me time to figure out this connection.)

Turning back the Toughs cycle: In ancient times, when these people settled in what would become the southern-most province of Vovim in the New World, they brought with them a tradition of creating textiles, jewelry, and works of gold, which would help to make Vovim the most arts-oriented country of the Midcoast nations. Unfortunately, the southern Vovimians' native tradition of iron-working died out, with the result that neighboring Yclau would later pioneer the Industrial Revolution, rather than Vovim. However, southern Vovimians are one of the two "tribes" that helped to form Vovim, the largest country in the Midcoast nations. Among the Midcoast nations, Vovim is rivalled only by Mip (which Vovim helped to found) for its multicultural splendor.

Cover for Whipster, showing a much later resident of southern Vovim, whose ancestors came from further south in the Old World:

*


*

I'VE SET MY MULTIFORMAT E-BOOKS FREE

Enjoy and enjoy. My e-books at other bookstores are available free too, except at Amazon, where they're 99c.
 

*

NOW AVAILABLE FREE IN MULTIFORMAT: Law Links (The Three Lands)

Few events are more thrilling in a young man's life than a blood feud between two villages. Or so Adrian thought.

Torn between affection toward his traditional-minded father and worship of his peace-loving, heretical priest, Adrian finds himself caught between two incompatible visions of his duty to the gods. Then the Jackal God sends Adrian a message that will disrupt his world and send him fleeing to a new and perilous life.

This novel on a young man's encounters with soldiers and spies can be read on its own or as part of The Three Lands, a diverse fantasy series on friendship, romantic friendship, romance, and betrayal in times of war and peace. The series is inspired by conflicts between nations during the Roman Empire and the Dark Ages.

Available as a free multiformat e-book or as a 99c Kindle e-book: Law Links (The Three Lands).
 

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NEW ONLINE FICTION: The Eternal Dungeon, The Three Lands, and Life Prison

Information about my online fiction. Click on the titles for the full blurbs, tags, and stories.
 

Ma'am (The Eternal Dungeon). The guards who serve under her are mocking her. In other words, it's an ordinary workday.

Wildfire (The Three Lands). He was a loyal servant of the god. But even loyal servants have their limits.

Shifts (The Eternal Dungeon). Midwinter's god is as cold as cruelty and as warm as a loving heart.

Adversaries (The Three Lands: Breached Boundaries #1). When an endangered slave visits an imprisoned spy, she discovers that she has more options in life than she had thought.

Open-Soul Surgery (The Eternal Dungeon). He expected death. What arrived was worse.

Emancipation (Life Prison). Civil war is tearing apart the land. Again. . . . "Emancipation" is loosely inspired by events at a border-state manor during and after the American Civil War. This is a special Juneteenth holiday gift story for my readers.


*

REISSUED ONLINE FICTION: Leather in Lawnville, The Eternal Dungeon, Young Toughs, The Three Lands, and Life Prison

Information about my online fiction. Click on the titles for the full blurbs, tags, and stories.
 

Leatherdar (Leather in Lawnville). The narrator goes on the hunt at a college ballroom dance.

Prison Food and Fondness (The Eternal Dungeon). "All she needed to gather were the ingredients for the meal. This she tried to explain on one summer morning, standing by the outer dungeon's exit while confronting two guards who had their daggers pointed at her."

Far Enough Away (Young Toughs). He knew he wasn't normal. Now he must save others who have been left behind.

Pinned (Leather in Lawnville). A rude top and an interfering family member prove to be an explosive combination at the Eagle bar.

In Hot Water (The Eternal Dungeon). They are two of the most talented prison-workers in the world. It's a pity their skills don't extend to dishwashing.

On Guard (The Eternal Dungeon). A bloody knife from a crime scene becomes a mystery to be solved and a foreshadow of trouble to come.

The Whipping Post (The Eternal Dungeon). Ten minutes left to contemplate what lies ahead, before the end begins.

Bonds (The Eternal Dungeon: Sweet Blood #1). A prisoner meeting his fate. A torturer meeting his demons. And between them, a man whose bonds are on the point of shattering.

Green Ruin (The Eternal Dungeon). Three guards and a mysterious substance provide a temptation too great to be missed . . . especially when two torturers add their skills to the mix.

New-Fashioned (The Eternal Dungeon). The Eternal Dungeon's youngest torturer has a special talent. He's about to discover what it is, at the worst of moments.

Searching (The Eternal Dungeon: Sweet Blood #2). Walking into a trap may be the only way to create one.

Bard of Pain (The Three Lands). In the battle-weary lands of the Great Peninsula, only one fate is worse than being taken prisoner by the Lieutenant: being taken prisoner if you are the Lieutenant. (Also available in free Braille and DAISY editions).

Split (The Eternal Dungeon: Sweet Blood #3). It was his duty to transform the prisoner's soul. But which one?

In the Silence (Life Prison). He can't speak. He can barely see. He experiences only fear and the faint whispers of something he had once known. But an intruder into his secure retreat from danger will pull him into awareness of what stands before him. What stands there is renewed danger . . . and the hope of something more.


*

CURRENT ONLINE SERIALIZATIONS: Leather in Lawnville, The Eternal Dungeon, Young Toughs, and The Three Lands

Information about my online fiction. Click on the titles for the full blurbs, tags, and stories.
 

Spy Hill (Commando). On a hot summer's day, on a high hill surrounded by the enemy, the best battle-companion can turn out to be the truth.

Survival School (Young Toughs). How far can trust grow, when you're in a place you despise?

Checkmate (The Eternal Dungeon: Sweet Blood #4). The Eternal Dungeon is no longer a prison. It's a battlefield.

Law Links (The Three Lands). Few events are more thrilling in a young man's life than a blood feud between two villages. Or so Adrian thought.



*Certificate: 2016 Rainbow Awards. This certificies that Dusk Peterson has been awarded Best LGBT Alternative Universe/Reality for Risk (Dark Light #2).

RISK IS A WINNER IN THE RAINBOW AWARDS 2016

For the fifth time, the Rainbow Awards has honored one of my e-books. Risk (Dark Light) received the following honors:
 

  • 3rd Place, Best LGBT Book.
  • Winner, Best LGBT Alternative Universe/Reality.
  • Finalist.
  • Honorable Mention.


You can read the judges' comments (with an understandable but fairly serious couple of errors in the first sentence).

In addition, you can browse through a list of my e-books that were previously honored in the Rainbow Awards on my Awards page.
 

NEW STORY TAGS

I've updated the story tags page with additional stories and with the following new or expanded tags:
 

  • adventure, suspense, and thrillers (which is basically what I write, yeah).
  • fantasy.
  • historical fantasy.
  • 1870s.
  • Middle Ages.
  • Renaissance.
  • physically disabled characters.
  • chauffeurs.
  • craftsfolk.
  • diplomats and peacemakers (expanded tag).
  • monolatrism (see definition).
  • pluriform monotheism (see definition).
  • arsonists.
  • assailants.
  • assassins, murderers, and terrorists (expanded tag).
  • traitors.
  • war criminals and aggressive seizure of foreign lands (expanded tag).
  • soldiers and former soldiers (expanded tag).
  • father & daughter.


Just do a Find search on the story tags page to find these tags.
 

OTHER ADDITIONS TO THE WEBSITE

I changed my mind; I've brought back my young adult site.

At duskpeterson.com, I've added a page listing interviews with me.
 

Words per year

2016 WORD COUNTS

I've posted my word counts for 2016. I issued fifteen new stories last year, which is a number I'm pleased by. Unfortunately, my wordage continues to be so-so: 114,186 last year, which is no better than it has been every year from 2010 onwards. Granted that I had a legitimate excuse last year (I was spending a lot of time getting ready to launch my new business), but still, I could be doing a lot better than this. Fortunately, my 2017 wordage is looking good so far.

For the first time in seven years, I've also updated the wordage charts. I use these charts to help me see work patterns I might otherwise miss noticing. One chart reveals what I never would have guessed: My words per hour keep going up.

The last chart on that page, which shows how many stories I've published and reissued each year (with the e-books mainly showing up in red) . . . Do I get some sort of award for workaholism?
 

2017 PLANS

First, a bit of crowing, for I hit a personal milestone last year, without noticing it: I've issued over one hundred stories!

I began the year by posting a lot of long works of online fiction rapidly, but because of the demands of my new day job, I've had to switch over to a chapter-a-week serialization schedule. The good news is that I'm serializing more than one story at a time.

Here's my main serialization schedule for this year. The serializations run parallel with one another, though they don't all start on the same day (as you'll already have noted, if you've been following the updates at my blog).
 


Because I've set my multiformat e-books free, you can read ahead in older stories if you like, but this will give folks who don't know about my e-books a chance to read my stories gradually. And if you like book-club-style read-alongs, you can join fellow readers in reading and discussing each chapter as it's posted.

Breached Boundaries (The Three Lands) and The Awakening (Dungeon Guards) are at the editing stage. However, those two volumes collectively add up to 320,000 words, so it will take a while to finish editing them. (I'd originally hoped to issue Breached Boundaries at a rate of one installment per month, while the later installments were being edited, which was why I posted the first installment in January. But once I finished writing the remaining sections this March, it became clear that all the sections of Breached Boundaries would need to be edited at the same time, for continuity reasons.)

A reminder that, if you want to know at any point where I am in getting a new story issued, you can check the bottom of the series pages at duskpeterson.com, where I place my progress reports. My weekly updates (including announcements not made at the online archives where I post stories) are available through my blog and my e-mail list.
 


REVIEW: Rebirth (The Eternal Dungeon)

"Thank you. Thank you for this story, for these characters, the stealing me away from a cold Winter day and giving me a hot prison to feel like home, a little cell of my own to feel safe and Layle and Elsdon to restore my faith in humanity." —Elaine White / Divine Magazine on Rebirth (The Eternal Dungeon).
 


*

FEATURED BACKLIST TITLE: Blood Vow (The Three Lands)

"I had come to tell him, in the cheerful manner boys have, that our world was about to be destroyed."

He has taken a blood vow to the Jackal God to bring freedom to his land by killing Koretia's greatest enemy. But what will he do when the enemy becomes his friend?

Thrust into exile and pain, young Andrew has no choice but to accept the friendship of the very person he had vowed to kill. When he returns with his friend to his homeland fifteen years later, though, he finds himself in a land of conflicting loyalties . . . where a vengeful god awaits him.

This novel on a young man's quest for true manhood can be read on its own or as part of The Three Lands, a fantasy series on friendship, romantic friendship, romance, and betrayal in times of war and peace. The series is inspired by conflicts between nations during the Roman Empire and the Dark Ages.

Available as a free multiformat e-book or as a 99c Kindle e-book: Blood Vow (The Three Lands).


Excerpt

Peter turned away and carefully undid the sorting I had just made of his clothes. "I fear that I have led both of us into a pitch-black cave, without bothering to bring a light with me," he said. "Let us move on to another subject. How did you spend your day? Aside from listening to insults from Lord Carle, I mean."

"I spent my day doing absolutely nothing."

Peter continued to look down at the items he was aimlessly moving from one pile to another, but a smile crept up the side of his face. "That sounds glorious. Where did you do this nothing?"

I came over beside him and took a belt out of his hands. "In the council library, to begin with; hence my embarrassing appearance at your closed meeting. I must apologize to Lord Dean tonight before he takes vengeance on the porter."

"I wouldn't bother." Peter left the sorting to my hands and sat down on the bed near me, leaning back against the wall. "I was witness to the porter's own apology, which was the most eloquent piece of poetry I've heard since I had a Daxion bard up on charges of stealing a bit of butter from the palace pantry."

"You put a bard on trial for stealing butter?"

"It's hard to believe, but the law classifies that as a major crime. Any use of the Chara's goods or money for forbidden purposes is considered a crime of disobedience – though you'll be relieved to hear that I let the bard go free. As for the porter, he has nothing to worry about; Lord Dean is fully occupied with planning this trip. Where did you go after you left the meeting?"

"Out to do more nothing. I did it under a certain tree in the garden."

Peter smiled and pulled his knees up to his chest, wrapping his interlocked hands around them as he leaned further back. "I'm glad that you found a good use for my birthday present. You've no idea the trouble I had in convincing the gardener that Emor would not crumble if he planted a Koretian tree in the palace grounds."

"Is it a Koretian tree? I didn't know."

"It turned out to be less expensive to bring a sapling over the black border mountains than to buy one of Emor's few remaining trees. I hope you won't stop using it, now that you know its barbaric origin."

I didn't bother to reply, but tossed a tunic at Peter. Laughing, he prevented it from landing in his face. "If you've spent an entire afternoon doing nothing, then you must have had a particularly terrible morning. I hope that our talk in the Map Room wasn't what drove you to seek pleasure ahead of duty."

I shook my head and knelt down to pull Peter's travel pack from beneath his bed. I knew that it was there only because I had cleaned the floor around it during my time as his slave. Over ten years had passed since it was last put to use.

As I stood up, I saw that Peter was still watching me expectantly. I said, "Lord Dean saw me in the council library before the meeting. We had a talk on marriage."

"Ah." Peter let the word drop like a heavy pebble into water. When the ripples were beginning to fade, he added, "Well, you needn't pass on to me what he said. I'm sure it's the same that was said to me at the meeting. That was what the council spent most of its time discussing: my ill-considered decision to visit a dangerous land when I have no heir. Fortunately, the lords did not insist that I beget an heir tonight, before leaving Emor."

I began to fold the tunics in the tidy manner which had never come naturally to me, but which pleased Peter. After a while, Peter said, "It seems a curious topic for Lord Dean to discuss with you. Did he say why he chose you as the messenger of his views?"

I noticed that his voice had taken on a note of quiet authority, but I ignored this and said simply, "He has asked me to mediate for him in the past."

"That isn't what I asked." He waited. When I did not reply, he said, "Andrew."

I continued to stare down at the tunics, but my hands were checked in their motions. Peter said, "Andrew, it is my duty as Chara to know what methods my council lords are using to try to influence me. Do not make me have to command you in this matter."

I stared at the items I was packing and took a moment to still my heart before saying, in the neutral voice that the Chara's clerk adopted when reporting the words of a witness, "Lord Dean said I would be able to demonstrate clearly to you the importance of fathering an heir. He also said he was sure that, like any other man, I understood the desire to raise a family."

I did not look up at Peter, but I heard him slowly let out his breath, as though he himself had taken the blow. "May he die a Slave's Death," he said. "He actually told you that?"

I did not reply. His voice dangerously low, Peter added, "High Lord or not, he can be summoned on a charge of insulting a free-man. I would request such a charge if you wished."

"No." I reached over and picked up the dagger without thought, and then placed it hastily in the pack before reaching for the tunics from the chest. Finally I said, "He probably just forgot."

"Lord Dean never forgets."

The bitterness in Peter's voice made me look up. Peter was staring into the distance as though peering at an invisible scene. "When I was four years old," he said, "Lord Dean took me to see some kinsmen of his in his hometown of Busedge. It was the first time I'd ever left the palace, and it was one of the happiest periods of my life. The High Lord let me have my way in everything; he wasn't strict with me the way my father always was. Toward the end of the visit, I confided to Lord Dean that I had once tried on the Pendant of Judgment to see what it felt like. Lord Dean promised to keep my secret – and he did, for many years. Then, one day about a year before my father died, I was talking with my father and Lord Dean – you may remember, for it was on the night when we first spoke. Suddenly, to gain a trivial point in an argument with my father, Lord Dean mentioned what I'd done. I've never forgotten the look my father gave me, and I've never trusted Lord Dean since then."

He pulled his gaze away from the past, reached to his tunic, and unclasped the emblem brooch in order to toss it to me. "You'd better pack this now. . . . It was perhaps unwise of Lord Dean to reveal his true nature so clearly to the Chara To Be. These days, if I were about to be cut down in battle and needed the help of either Lord Carle when he was being his most brutal or Lord Dean when he was being his most amiable, Lord Carle is the one I'd turn to."

"It's not a choice I'd want to make," I said, wrapping the brooch carefully in a face-cloth before packing it. "At any rate, Lord Dean does have a point in what he said to me."

"Lord Dean's points are like dagger points; they can only kill. Listen to me." Peter pulled himself forward so that he was kneeling on the bed close to me. "If I ever need advice on who to marry, it is you I will go to, not a man like Lord Dean. You know me better than anyone, better than even my father knew me, and nothing of what you are to the world changes what you are to me."

I said nothing, did not even look his way, but let my smile be my reply. . . .
 

Available as a free multiformat e-book or as a 99c Kindle e-book: Blood Vow (The Three Lands).


sineala: (Avengers: Tony: I win)
[personal profile] sineala
We were invited to post early, so here is my and Wren's Cap RBB:

Tony Stark and the Mysterious Marksman (18510 words) by Sineala
Chapters: 1/1
Fandom: Marvel (Comics), Marvel Noir
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: James "Bucky" Barnes/Tony Stark
Characters: Tony Stark, James "Bucky" Barnes, Steve Rogers, Invaders (Team), Nick Fury, Carol Danvers, Victor von Doom
Additional Tags: Action/Adventure, Secret Identity, Identity Porn, World War II, Hero Worship, Doombots, Latveria, Snipers, Explosions, Canon-Typical Violence
Summary: The year is 1943, and the war is swinging into an unexpected front: the Allies need to get their hands on every magical item they can find before someone else does. There's no one more qualified for the job than Tony Stark, former adventurer for Marvels magazine. When Nick Fury sends him on his latest mission, Tony finally gets the chance to work with Captain America... and the guy won't stop extolling the wonders of his partner, some kid called Bucky. But when Tony gets back to base, he meets someone even better than the Bucky of Cap's stories: an enigmatic -- and incredibly handsome -- marksman by the name of James Barnes.

That's right, it's Marvel Noir Winteriron identity porn! I've never written Winteriron before, but this was a lot of fun! It was written to accompany Wren's gorgeous art, which you can view here. (The stargazing art was the original art, she drew the sniping art to go with the story, and the art at the end she drew to have more Noir art and I asked if I could steal it and put that scene in. So I did.) I originally wasn't even going to write for this, but the art just won me over (because OMG NOIR) and then I had an identity porn idea and... all of this happened.

I hope all three of you who like this pairing will appreciate this story. :D You probably don't need to know anything about Marvel Noir; I explain it at the beginning if you're curious.

Reading meme

25 Jun 2017 10:46 pm
flo_nelja: (Default)
[personal profile] flo_nelja
Un mème pris à [personal profile] malurette


Hardback or paperback:
Plus souvent broché quand je ne suis là que pour le texte, mais quand les illustrations sont meilleures, une version reliée fait toujours plaisir ! (ou quand c'est la seule édition, bien sûr)

Borrow or buy:
Acheter, souvent d'occasion. Il y a des exceptions, bien sûr, mais cela reste, justement, des exceptions.

Fantasy or Sci-Fi:
Fantasy, globalement. Même si en pratique je lis les deux, je suis juste moins difficile pour la fantasy.

Love-Triangle or love at first sight:
Aucun d'eux ne sont des tropes que j'aime, mais s'il faut choisir le triangle amoureux est plus réaliste. Et puis vu la façon dont ils sont opposés, ici, cela semble un peu posé comme "sait depuis toujours qui est le bon, ou a besoin de réfléchir pour savoir", et oui, le second.

Wall shelves or bookcases:
Les bibliothèques me suivent en cas de déménagement, les étagères non...

Bad plot with good characters or good plot with bad characters:
Ouch, pas évident. Je pense que dans les deux cas, ça dépend de bon à quel point. ^^
Ca dépend aussi de si "bad characters" veut dire personnages que je ne peux pas supporter, ou personnages mal écrits et pas crédibles.

Harry Potter or Percy Jackson:
Harry Potter, même si pour ce que j'ai lu de Percy Jackson ça s'améliore lentement.

Booklr or Bookstagram:
Je suis sur tumblr, et pas sur Instagram, donc...

Contemporaries or Fantasy:
Fantasy.

English books or books in your native language:
Wow, une question qui n'est pas faite pour les anglophones, alors que le sondage est en anglais, je suis impressionnée.
Quand la langue d'origine est l'anglais, je préfère essayer de lire en anglais, mais quand c'est n'importe quoi d'autre je lis en français, et ça fait quand même une majorité ^^

Buy in a bookshop or buy online:
En ligne pour l'anglais, en librairie pour le français.

Amazon or Book Depository:
Amazon a une version française, mais parfois on se retrouve à acheter des livres depuis book depository de toute façon

Buy because of the cover or because of the description:
En général, c'est plus "parce que j'ai lu des critiques", mais pour les rares fois où j'achète un livre sans en avoir entendu parler avant, c'est pour la description.

Alphabetical shelves or color coordinated:
Tri thématique et par taille de livre

Different sized books or matching sizes:
Dans la même série je veux les mêmes, c'est sûr, en dehors ce n'est pas un critère.

Wait to marathon a series or read as they’re released:
Ca dépend si cela sort régulièrement, dans ce cas je peux lire au fur et à mesure, ou si j'ai l'impression que ce ne sera jamais fini. Ca dépend aussi de à quel point chaque tome est auto-contenu.

Movie or TV adaptations:
Ca dépend de la taille du livre. Je n'ai pas de préférence en soi, mais je peux en avoir pour chaque livre précis.

Reading indoors or outdoors:
Ces temps-ci, surtout dans les transports en commun.

Coffee or Tea:
Chocolat

Bookmarks or random objects to mark your page:
Tickers de métro

Be your favourite character or be their best friend:
Mes personnages préférés sont souvent tragiques, être le meilleur ami est un peu plus sûr. ^^
(Oui, je sais que la question est : est-ce que je préfère être awesome ou avoir des amis awesome. La réponse est la même, ha ha)

Physical or e-book:
Les fichiers ont des avantages, mais je préfère les livres solides, quand j'ai le choix.

Read in bed or on a chair:
Chaise

Audio book or e-book:
E-books. Ca me stresse d'écouter un livre, je ne sais pas pourquoi.

Series or stand-alones:
Comme les séries demandent plus d'investissement, je leur demande plus de critères de qualité/thèmes qui m'intéressent personnellement avant de m'y lancer (sauf en BD où je préfère clairement les séries, mais les BD se lisent plus vite, justement).

Reading in the winter or reading in the summer:
Tout le temps !

(no subject)

25 Jun 2017 02:15 pm
skygiants: Princess Tutu, facing darkness with a green light in the distance (cosmia)
[personal profile] skygiants
I have never read Dhalgren or indeed any Samuel R. Delaney. However, as of yesterday I have at least had a Dhalgren Experience, thanks to [personal profile] aamcnamara, who turned up a local theatrical-dance-music-light-'architectural puppetry' performance of something called Dhalgren: Sunrise this weekend.

Dhalgren: Sunrise is comprised of bits of text from what I assume is Dhalgren the book, accompanied by dance, light, and music, almost all of it improvised. Also, some of the music was performed on imaginary instruments. "That must be a theremin!" I thought brightly to myself on seeing one of the instruments, mostly because I don't know what a theremin looks like and therefore I assume that any instrument I don't recognize is a theremin. But it turns out it was not a theremin, because there was a credit in the program for 'invented instruments,' though I don't know whether the one I saw was the Diddly Bow, the Bass Llamelophone, or the Autospring.

Anyway, so my new understanding of Dhalgren is that it is about a city in which Weird, Fraught and Inexplicable Things Are Happening. This is not a very thorough understanding, but it's still more of an understanding than I had before. The show is composed of seven scene-vignettes:

Prelude: A brief reading of [what I assume to be] the book's introduction.

Orchid: Three women dance on a bridge and a man acquires a prosthetic hand-weapon-implement. The director at the end gave special thanks to the dude who made it, understandably so, because it very effectively exuded Aura of Sinister!

Scorpions: Gang members dance and fight in front of a building? Alien gang members? Just aliens? Anyway, some entities wrapped in glowing lights have a dance fight in front of a building; the text is from the point of view of a worried inhabitant of the building who Has Concerns.

Moons: The moon has a new secondary moon friend named George. The dancing in this section was one of my favorite bits -- the Moon did some amazing things with her light-strung hula hoop. [personal profile] aamcnamara pointed out later that the narration in this bit, which featured a wry and dubious radio announcer, seemed like a perhaps-intentional echo of Welcome to Night Vale. I have never actually listened to Welcome to Night Vale, but from my cultural osmosis knowledge this seems about right.

Fire: The light show took front and center in this bit about everything being on fire and also, simultaneously, not on fire. The maintenance man doing the narration is very plaintive about all of this. There may also have been dancing in this bit but I don't remember what anyone was doing.

Sex: The guy with the sinister prosthesis has an intimate encounter with two other people inside a blanket fort. I always like the blanket-fort method of showing sex onstage, it hints appropriately while allowing actors not to have to do anything they're uncomfortable with. At some point in this process the sinister prosthesis is removed for the first time, which I expect symbolizes something about human connection.

Sunrise: The characters who have previously just had sex emerge from the building and now seem to have a difference of opinion about whether the sunrise is just normal, or whether the earth is actually falling into the sun. Eventually all the characters are onstage being distressed, along with the music and the lighting -- again, really cool light effects here, especially the final overwhelming projection of light followed by and darkness.

It's a one-hour show without intermission, which we all agreed afterwards was for the best; the deeply weird mood and atmosphere would have been difficult to slip back into if one could get up in the middle to go to the bathroom. For those of you who have actually read Dhalgren, I will leave you with [personal profile] aamcnamara's sum-up: "It was a strange experience, but honestly could have been stranger."
duskpeterson: (bookshelves)
[personal profile] duskpeterson
In the Silence


"Images came, like flickers of a candle: Dark stones. Dark metal. Faint fire. A spoon in his hand, as someone urged him to eat. A stinking pit that he knew he was duty-bound to fill. A loom nearby that he vaguely remembered he had once known how to work, but which now stood as silent as the rest of his world."

He can't speak. He can barely see. He experiences only fear and the faint whispers of something he had once known.

But an intruder into his secure retreat from danger will pull him into awareness of what stands before him. What stands there is renewed danger . . . and the hope of something more.




Law Links


"Sometimes I feel that he is as mysterious as the gods, and that he is hiding something of vital importance from me. Something that would transform my life."

Few events are more thrilling in a young man's life than a blood feud between two villages. Or so Adrian thought.

Torn between affection toward his traditional-minded father and worship of his peace-loving, heretical priest, Adrian finds himself caught between two incompatible visions of his duty to the gods. Then the Jackal God sends Adrian a message that will disrupt his world and send him fleeing to a new and perilous life.




Checkmate


"It's all about torture. That's what I didn't understand for a long time. The High Seeker has been seeking out and punishing those of us who wish to show greater mercy to the prisoners than the Code allows. Those of us who question whether it's right to torture prisoners."

The Eternal Dungeon is no longer a prison. It's a battlefield.

Split apart from their closest loves and friends, a small group of prison-workers seek to abolish the use of torture against prisoners in the queendom's royal dungeon. Time is running out, for the deadly High Seeker has already flogged and executed prison-workers who oppose his policies.

Do the reformers have enough time and skill to bring about radical change in the dungeon? Will they be able to overcome their mistrust of one another?




Survival School


"This is the right place for you, boy. They'll school you here to be a right-standing man, one who can keep control over his actions, like any good man should. You just got to keep yourself open to learn and to grow."

How far can trust grow, when you're in a place you despise?

Arrested for a crime he doesn't regret, Bat ends up handcuffed to a group of fellow city boys and sent on a long journey into the countryside. He know that he is being transported to a prison for delinquent servant boys, but what form will his imprisonment take?

Tattooed with the rank-mark of servant, Bat must learn how to keep from losing his temper with the men who carry the keys to his freedom. But in the unbelievable world where he has been deposited, in which a genial master orders strict punishments and a servant acts like a master, will Bat be able to locate the door to his release? Which of his fellow prisoners can he trust to help him?

And will he survive long enough to find out?

Inspired by true events at a turn-of-the-century reform school, this novella (short novel) is set in an alternative version of the Chesapeake Bay region during the 1910s.




Spy Hill


"Fairview was the finest friend a man could have, and the finest battle-companion. I dared not risk doing anything that might break our friendship."

On a hot summer's day, on a high hill surrounded by the enemy, the best battle-companion can turn out to be the truth.

Rook and Fairview have worked alongside each other for years, first as officers in the navy, then as officers on a steamship, and finally as colonels in an invading army. Members of a nation where tiny differences in rank are considered all-important, the two men defy convention by treating each other as equals.

But now their life-long bond is about to meet its greatest strain, when they are ordered to seize and defend a hill whose landscape is unknown, in the company of soldiers who may be incompetent or treacherous. Will Rook and Fairview's friendship remain by the end of the battle? Or will their lives take an unexpected detour as they struggle to survive on Spy Hill?

Birthday Girl!!!

25 Jun 2017 07:21 am
masqthephlsphr: (vincent)
[personal profile] masqthephlsphr
Happy Birthday, [personal profile] kathyh!!!!

Munich Film Festival I

25 Jun 2017 10:53 am
selenak: (Breaking Bad by Wicked Signs)
[personal profile] selenak
Aka what consumes my days these days, as every year around this time. Of course, every year doesn't have Bryan Cranston as one of the guests of honor, so there was this additional perk.:) (Here's an article about the award ceremony he was there for.)


 photo 2017_0623Filmfest0003_zpsgy9vaotd.jpg

(Question: is the young man in one of the photos a fan is holding out to be signed truly Cranston some decades ago? Yikes, I wouldn't have recognized him.)


The director of Wakefield, one of his movies which are shown this year in honor of him (and yes, of course several Breaking Bad episodes are s hown as well), Robin Swicord, joked that both she and Cranston have German grandparents, and: "I don't know why they left, but you know, I think the fun is over. Might be a good idea to come back now, and I think you all know why. So thank you for welcoming political refugees." Former opera director Sir Peter Jonas outed himself as a Breaking Bad fan, complete with Heisenberg t-shirt, and held a speech praising the glories of narrative arc driven television. My only irritation with that one wasn't the series he singled out (other than BB) for being exceptionally good at this - The Sopranos, Oz, The West Wing and The Good Wife - , but the one he didn't mention. Babylon 5 still doesn't get as much credit in breaking ground with its narrative arc tellng format as it deserves.

Anyway, Bryan Cranston's own speech was lovely, mostly about the way being a storyteller is the best vocation (I agree), with both wry humor and sincerity. After the ceremony, Wakefield was shown, but due to an unshakeable real life obligation, I could only watch the first hour. Mind you, I had mixed feelings anyway. Because I could see why Cranston was cast (excelling as he does in playing dislikeable characters whose pettiness isn't air brushed away who are still interesting to watch) , and I enjoyed seeing Jennifer Garner again (playing his wife), and found the concept something of a suburban Hitchcock satire without crime (Howard Wakefield, lawyer, due some circumstances ends up disappearing into his own attic, watching his wife and family carry on without him with the bickering zest of a true voyeur while literally reduced to eating garbage) in a clever way, it still made my skin crawl. Because in the hour I watched, most of Howard Wakefield's voyeurism and assholery was directed against his wife, and while I knew the narrative was absolutely on the same page with me here, it still felt very disturbing to watch, and so it didn't exactly break my heart that I had to leave early. (Otoh I missed the Q & A with Cranston afterwards that way, alas.)

On to movies I could watch completely:

La Familia, a movie from Venezuela, directed by Gustavo Rondón Cordóva, currently stuck in Caracas and thus unable to make it to the festival, though he might make it to the Latin American directors general Q & A on Monday. This was a taut, intense story starting in the poorest quarters of Caracas. Our two main characters are Pedro, a twelve years old boy, and his father Andres, who works several jobs at once to make ends meet and thus hardly sees him. The introduction sequence has Pedro (Reggie Reyes) playing with some other children, and the playing has that edge of violence, those moments when shoving at each other suddenly threatens to become more, which has you sit up already. And sure enough, various scenes later, which establish Pedro's day with best friend Jonny and minus his father (who sleeps like a stone on those rare occasions when he's home), violence does explode, as a child threatens Pedro and Jonny with a gun and Pedro ends up seriously hurting the other child. His father Andres understands the implication at once because the child in question has revenge hungry people, and goes on a run with his estranged son, which is the plot line for the rest of the movie. "Going on a run", however, doesn't mean what it might were this a US film, because Andres still needs that money for Pedro and himself to survive, so he takes Pedro with him to his various jobs on the other ends of the city - they just don't go back to their own quarter, though Pedro urgently wants to because he's worried for Jonny, which makes for a big confllct with his father.

This is a movie which trusts its actors (Giovanni García plays Andres), because the dialogue is terse and rare, and you experience the shifting father and son relationship mostly through physical interaction, looks, gestures. Andres doesn' have a "killing is bad" conversation with his son, or a "how do you feel about what happened?" conversation - that's just not how they interact. And yet you can watch them becoming closer throughout the film, and at the end they truly understand each other, and even in their desperate situation have some hope for the future.


Clair Obscur, a Turkish-German-French-Polish coproduction (yes, these do exist) directed by Yesim Ustaouglu. With a female Turkish director and two female main characters, this movie explores, among other things, various ways of what it means to be a woman in Turkey. Our two heroines live completely different existences - Shendaz is a psychiatrist with a seemingly good relationship with her boyfriend, living in very well off circumstances at the Meditterranean coast, while Elmas is still a teenager imprisoned in a marriage to a much older man who revolts her, serving him and his mother in their small flat in a skyscraper. The two storylines eventually connect when due to various spoilery circumstances Shendaz becomes Elmas' therapist; by that time, the cracks in Shenaz' own life have been revealed, but refreshingly for therapists who tend to be either demonic or incompetent when presented in a fictional story, she's still able to truly help Elmas (especially once she figures out how young Elmas really is), and eventually finds away to escape the mess in her own life as well.

The director and several of the actors were there, though not the two leads. The actress who plays Elmas' mother-in-law said whhen she read the script, she thought that this was the best discussion of female sexuality in a Turkish movie. The sex scenes aren't just surprisingly frank in the case of Shenaz (with Elmas, who does not want to have sex, the camera stays on her agonized face, and later goes with her to the restroom because the aftermath is also very painful to her), but always make a character point. In the Q & A the director was asked whether the movie could be shown like this in Turkey, and she answered she had to cut around two minutes for the general release version (though she was allowed to show the full length in Turkish festivals), which since she knew this would happen in advance she could do without taking away the meaning from the scenes in question. Mostly the general release cuts avoided the full nudity of the complete version. Since the only Muslim women showing up in Western media tend to wear headscarfs and/or hijabs, in short, live Elmas' life, I suspect the fact that Shenaz is sucessful in her profession, has unmarried sex and enjoys wine when dining with her boyfriend (who does the cooking) would be as startling as the sex and the nudity if this movie gets a release in the US or Europe. At the same time, there's the awareness that Erdogan's government and party is doing its best to make Elmas, not Shenaz' life more common again in Turkey, and that subtext is also there if you're sitting in the audience watching this film.

Shenaz is played by Funda Eryigit, Elmas by Ecem Uzm, and they're both delivering terrific performances. In the Q & A, Ms. Ustaoglu mentioned that the incredible scene in which Shenaz gets Elmas to roleplay a dream she has (which finally allows Elmas to vocalize the pain in her life) needed only two takes, one for Elmas, one for Shenaz, that the actresses were that good. And having seen this movie, I believe it.

Doctor Who 10.11.

25 Jun 2017 08:55 am
selenak: (Missy by Yamiinsane123)
[personal profile] selenak
In which whoever did the trailer after the last episode should not do so again, since it already gave away the two key twists, but even so, this was a suspensful and good first part - may the second one live up to it.

Read more... )
hamsterwoman: (Default)
[personal profile] hamsterwoman
[personal profile] perpetual has this very cool 30 Day meme (which shall be known as "The Kairos 30 Day Meme"), which involves coming up with 1 to 30 favorite fannish things in 30 different categories -- X favorite actors, Y favorite books, Z favorite cartoons, etc. etc. Of course, I had to try my hand at it. [personal profile] perpetual is keeping the full list a surprise, so I will, too, and I did have to move things around, because the number of favorite comic books I could come up with, for instance, was much lower, and I ended up substituting some sections entirely, since I'm not a fan of video games at all, for example. I don't think I can post these one a day, but let's see how this goes. Maybe I'll just attach them to regular posts, or unlocked posts, or something...

Day One: Artist

So I wracked my brains a bit to see what category I had truly only a single favorite for, and ultimately the choice is pretty easy: visual artist, and that artist is:

1. Salvador Dali (NSFW?) )

*

And a different kind of meme, stolen from Tumblr somewhere:

Give me a character and I'll answer (all or specific prompts of) the following:

Holiday headcanon
Cooking headcanon
Sleeping headcanon
Driving headcanon
Bathing/showering headcanon
Hugging headcanon
Kissing headcanon
Sex headcanon
General physical contact headcanon
Physical appearance headcanon
Wardrobe headcanon
Jewelry headcanon
Nickname headcanon
Dancing headcanon
Singing headcanon
Anger headcanon
Soft spot headcanon
Favorite possession headcanon
Favorite photograph headcanon
Relationship with/thoughts on _____ headcanon


Fandoms of note: ASOIAF, AtLA/Korra, Avengers/MCU, Babylon 5, Buffy (through s6), Discworld, Dragaera/Vlad Taltos, Dresden Files, Firefly, Harry Potter, Killjoys, Kushiel's Legacy, Raven Boys, Rivers of London, Temeraire, Vorkosigan Saga, and anything else you know I'm into.

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