salinea: (Default)
[personal profile] salinea
I've been thinking about intent and interpretation, in communication and art especially, seeing a lot of things popping on my friendlist and journal related to the same thing.

Writer's intent is why people like [livejournal.com profile] thecorbie think there might be a case against fanfics.

Intent is something that might be or might not be gotten, with a responsability that may or may not be rested on the writer, as per [livejournal.com profile] mithrigil's question here.

Intent is what shippers who ship a non canonical pairing are entirely disregarding when they ship still, as per [livejournal.com profile] a_white_rain criticizes here. (NB: spoilers for Avatar the last airbender's final at this link)

Intent of deconstructing the "Nice Guy" was probably part of what Dr Horrible was about, as [livejournal.com profile] curtana points out here, but which I've seen a lot of people misinterpret as a genuine nice guy whose manpain is oh-so-tragic. (NB: spoilers for Dr Horriblle at this link)

Intent is what doesn't really matter when people say they hadn't mean to be racist, sexist, homophobic, classist, ableist, elitist... if this is what is read by the people who have the best reason to complain of it. Intent, there, is only a way to claim their own priviledge, very often.

In terms of information, when we communicate, there is
1/ what we mean to say, what we intent
2/ what is actually said, in words, in text, in ink on the page, lines on the paper
3/ what is heard and understood by other people, how they interprete it, text and subtext - which is of course as multiple as there is different people.

2/ the text does not have intrasec meaning. There is a platonician ideas tied to it, of pure meaning, of true message. Information is only information because it's interpretated by someone with a brain and there is always always variations, minsinterpretation of intent within it. Because context is something that always infer on the interpretation, and nobody's got exactly the same context at the same time.

1/ intent I think doesn't matter all that much. In our culture, perhaps because of its moral value under Christianism, intent tends to be extremely valued in terms of responsability. However intent is something way to fickle to judge by : first because we don't know other people's intent, we just have to trust their word for it (in which there is yet another pitfall of misinterpretation), second because people may not know their own intent entirely, third because regardless of intent harms can be done as a result in any case. Also, for all of that, it is rude and disrespectful to presume of someone else's intent. It also shifts any discussion of blame from discussion of action/text to discussing a person themselves, which is offensive and often results in wank much more quickly as a result.

So we're left with interpretation.

Are all interpretation equal? Are some more legitimate than others? What makes one interpretation more legitimate than any other? And who's to blame for possible unfortunate (racist, sexist, ableist, homophobic, classist, elititist, etc.) interpretations?

For all that all interpretations are in parts subjective, I don't think they are all equal. If you've spent any time in fandom, you'll have noticed that some extremely extravagant interpretations are sometimes brandied (with or without seriousness). For all its subjectivity, any interpretation is still based on the text, so there are criteria to judged how acurate to the text it is. (No, I'm not going to go at length about the tools to judge that accuracy.)

However the nature of an interpretation also matters. Not all kinds of interpretation pretend to accuracy. Some are merely humouristic (crackful parodies and the like) for example.

Narrative interpretations as in fanfics are also something very different. They don't usually pretend to accuracy (since they're obviously not the original author). Narrative interpretation's legitimacy is based on its own artistic worth. Is it a compelling interpretation. Does it lend itself to a complex, rich, aesthetically-worthy story? This is what gives a fanfic, as interpretation, its legitimacy - the sheer richness of a culture of narrative dialogue and artistic creation.

Likewise with shipping. Historically the biggest backlash against specific non canonical ships (Harmony in Harry Potter and Zutara in Avatar the last airbender) have been because some of their shippers were pretending to some kind of accuracy. I don't think there's anything wrong in itself to make the pro Zuko/Katara interpretation [livejournal.com profile] a_white_rain mentions in the link above, however if such an interpretation is done while saying it is more accurate than any other interpretation there is a problem.

Of course some fanfics do work as criticical interpretations - only done in narrative form. They function as a meta commentary pointing out gaps in the text, or exploiting specific themes. (Some works as a commentary of other fanfics too! Ongoing dialogue that it is). When that is done, accuracy becomes again a criteria.

So what about the moral responsability? Who's to blame for dodgy interpretations? Well if an interpretation pretends to accuracy, and can judged as mostly accurate in consideration of the text, then the responsability sides more on the author's side. If an intepretation pretends to accuracy, but is mostly not accurate with the text, then the responsability is more on the side of the reader. If the interpretation doesn't pretend to accuracy, the author's responsability wasn't ever called in question in the first place.

This is not taking context in consideration, and context matters, does it ever.

First, I've been talking about what an interpretation pretends or does not pretend, but that pretension isn't always made explicit. That is to say, for example, most fanfic writers know they are not pretending to accuracy and know that most of their readers used to fanfics know this as well so they don't usually bother spelling it out. Which, I think, is in parts why outsiders seem to be much more worried about misinterpretation due to fanfics and mistaking the writer's intent for the fanfic. However a lot of fanfics do have a tradition of disclaimer, usually done in terms of "therse characters and settings are not mine". Close enough for me but I haven't been an outsider for a long time.

Second, of course, there's how context infers any unfortunate interpretation. Having a story where a lesbian dies and her girlfriend goes crazy isn't in itself homophobic. It is because there's a history of the very same trope being used overwhelmingly any time lesbian characters are featured, and because of the history of institutionalized homophobia that has been going for a long time in Western culture. So in terms of responsability the quest is, is the context from which the text originated is similar enough to the one from which this interpretation is done? At least it seems to me that this way that can work.

Done now. I hope that wasn't too anvilicious.

Date: 25 July 2008 02:33 pm (UTC)
From: [identity profile] apapazukamori.livejournal.com
Intent is what doesn't really matter when people say they hadn't mean to be racist, sexist, homophobic, classist, ableist, elitist... if this is what is read by the people who have the best reason to complain of it. Intent, there, is only a way to claim their own privilege, very often.

Often, but one cannot always discount the biases of the offended party. If I am determined to view the world as against me because of my gender/orientation/religion/etc., then things that are not necessarily offensive become colored by my perception. No one has the right to tell me not to be offended, but the source of the offense comes from my bias, not his/her action. Naturally, extremes do not work in this way. Cross burning is racist, full stop. But if I'm running to catch my train and a black man pushes past me and that action prevents me from catching the train, his action makes him inconsiderate, but not immediately racist or chauvinist. If I choose to interpret his action as anything other than inconsiderate without additional information, that comes from my biases. Again, you can often discount intent, but not always.

Having a story where a lesbian dies and her girlfriend goes crazy isn't in itself homophobic. It is because there's a history of the very same trope being used overwhelmingly any time lesbian characters are featured

I kind of think that "Character goes crazy/acts extremely irrationally when his/her romantic interest dies" is a universal trope.

Date: 25 July 2008 04:42 pm (UTC)
ext_2023: (femslash)
From: [identity profile] etrangere.livejournal.com
Even in issue of racism the criteria of accuracy should definitely be taken into account, although at least in fandom I see much more many cases of people dismissing being called on the racism of their text because it wasn't their intent than I see people being called on the racism of their text abusively.

I kind of think that "Character goes crazy/acts extremely irrationally when his/her romantic interest dies" is a universal trope.
I definitly think it is a universal trope. However homosexual relationships in media have been almost always depicted with this trope whereas heterosexual relationships have had this trope used among many many others. The wrongness of it isn't the trope in itself - as I was saying - but that it has been used overwhelmingly any time lesbian characters were featured - at least up until the late 90's.

Date: 25 July 2008 08:39 pm (UTC)
From: [identity profile] daf9.livejournal.com
Your perception that more people dismiss being called racist based on their intent than are mistakenly called racist is based on your presumption that there are objective criteria by which racism can be recognized. I don't accept your presumption. As far as I'm concerned, intent and context always matter.

Date: 26 July 2008 01:00 am (UTC)
ext_2023: (creepy anthy)
From: [identity profile] etrangere.livejournal.com
Hello! Welcome to my journal.

Yes, I think there are objective criteria that one can use to determine whether or not a text is vehicle for racism or not. Claiming lack of intent isn't enough if those criteria are present. You can say racist things without meaning to. Your belief that this is not so does not make it so.

Date: 26 July 2008 02:15 am (UTC)
From: [identity profile] daf9.livejournal.com
Hi! A person can say racist things without meaning to, just as a person can hurt another person's feelings with a review of their fanfic without meaning to. But a person can also misinterpret what has been said because of the bias of their own prejudices. My question is: who gets to decide the objectve criteria that enable one to distinguish between misinterpretation and offense?

Date: 28 July 2008 06:29 pm (UTC)
ext_2023: (world in my hand)
From: [identity profile] etrangere.livejournal.com
There's a fair amount of literature of the subject of racism, racist stereotypes and racist tropes, and why they are racist, how they are built up onto systematic bias of our cultures (or other's cultures, depending on the cases) and how they evolved in History. You want to know how not to be unintentionally racist, it is fairly easy to get access to this data in this internet age. If someone is called out on such an utterance, it is also fairly easy to check out the data of why someone was offended and whether the complain is random, or is based indeed on racist trope existing in society.

Date: 28 July 2008 09:28 pm (UTC)
From: (Anonymous)
Yet you argue the text does not have intrasec [sic] meaning. ... Information is only information because it's interpretated by someone with a brain and there is always always variations, minsinterpretation of intent within it. Because context is something that always infer on the interpretation, and nobody's got exactly the same context at the same time".
I happen to agree with that statement; text has no intrinsic meaning independent of context. But if that is the case then any combination of words is going to be subject to misinterpretation of intent and all the research in the world is not necessarily going to identify a racist statement removed from its context.

Date: 28 July 2008 09:40 pm (UTC)
ext_2023: (creepy anthy)
From: [identity profile] etrangere.livejournal.com
If you read this part, how have you missed the part where I said :

For all that all interpretations are in parts subjective, I don't think they are all equal. If you've spent any time in fandom, you'll have noticed that some extremely extravagant interpretations are sometimes brandied (with or without seriousness). For all its subjectivity, any interpretation is still based on the text, so there are criteria to judged how accurate to the text it is.

You also seemed to entirely missed the point where I said that not having a racist intent didn't mean the text couldn't have a racist interpretation. That works both way : a text having a racist interpretation doesn't mean there were a racist intent. I wouldn't go around telling someone that they are a racist when it's very likely the racist interpretation of their text was unintentional. Yet I still think they should take responsibility for it, apologising to people they'd offended and removing or stroking those offensive parts... and take care to be better informed the next time.

Date: 29 July 2008 01:02 am (UTC)
From: [identity profile] daf9.livejournal.com
This is clearly where we disagree. The interpretation is always a conscious choice on the part of the reader and may be unintentional on the part of the author. Why should the author apologize for a choice made by the reader?

Date: 29 July 2008 09:30 am (UTC)
ext_2023: (Default)
From: [identity profile] etrangere.livejournal.com
Because context should have let them be aware of the possibility of this interpretation, if there's strong enough elements for this interpretation.

You keep arguing as if disagreeing made your point true even though you don't address my arguments.

Date: 29 July 2008 02:00 pm (UTC)
From: [identity profile] daf9.livejournal.com
My apologies if it appears to you that I'm not addressing your arguments; I'm trying to understand them. Are you arguing that even though text has no intrinsic meaning and both intent and interpretation are subjective, that in circumstances where racism (and perhaps some other issues are involved) is involved, even though both author and reader are operating from their own biases, the biases of the reader are of more value?

Or are you arguing that texts with a potentially racially charged meaning do have intrinsic meaning imposed on them by some kind of community consensus?

Or are you arguing something else altogether?

Date: 31 July 2008 12:18 am (UTC)
ext_2023: (non dualism)
From: [identity profile] etrangere.livejournal.com
I'm saying, In all cases, that interpretation may be subjective, yet it is more or less accurate, and that accuracy is based on objective traits of the text. There's no perfect accuracy because there's no perfect objectivity, but you can argue about the accuracy of one's interpretation based on concrete aspects of the text.

Context plays a lot in terms of why an interpretation of racist meaning is present in the text, but I only hold the writer responsible for that if their context is similar enough to the one the interpretation comes from.

Is that more clear?

Date: 31 July 2008 01:34 am (UTC)
From: [identity profile] daf9.livejournal.com
Thank you. I think it is clearer. It would appear that in your opinion, a text has objective traits. Who defines these objective traits?

Date: 31 July 2008 09:38 am (UTC)
ext_2023: (Default)
From: [identity profile] etrangere.livejournal.com
Not one person defines them. It's the result of an ongoing discussion using arguments based upon the text and comparable texts.

Date: 31 July 2008 03:56 pm (UTC)
From: [identity profile] daf9.livejournal.com
So it's a decision based on a consensus agreed to by a majority?

Date: 31 July 2008 04:00 pm (UTC)
ext_2023: (Default)
From: [identity profile] etrangere.livejournal.com
No. Last time I checked fandom isn't a democracy, not even a direct one. It's an anarchy. You convince who you convince. Sometimes peer pressure can sway people otherwise. But there's no decision being taken at the group level, only by the distinct individuals that are part of it.
Edited Date: 31 July 2008 04:01 pm (UTC)

Date: 31 July 2008 09:36 pm (UTC)
From: [identity profile] daf9.livejournal.com
So do you approve or disapprove when individuals encourage group action (i.e. community shunning or having their flist go to a web site those people likely wouldn't otherwise visit to lodge a protest) based on the individual's opinion of something being racist?

I ask because it seems to me, getting back to my original comment to you, that it is these community responses that generally degenerate into uncivil behavior on both sides.

Date: 31 July 2008 09:40 pm (UTC)
ext_2023: (creepy anthy)
From: [identity profile] etrangere.livejournal.com
Depends whether or not I find the that the individuals who encourage group action have good arguments and convinced me that the text was problematic. So I don't disagree with the principle in general but I judge case by case whether I agree or not (and I assume most other people do as well).

There are so many sources of uncivil behaviour in fandom, I doubt banning talking against racism (perceived or not) in texts is the one way to civility. And it's pretty problematic in itself.
Edited Date: 31 July 2008 09:41 pm (UTC)

Date: 1 August 2008 12:27 pm (UTC)
From: [identity profile] daf9.livejournal.com
My own tendency has always been to give the author the benefit of the doubt when it comes to whether or not a text is problematic and to disagree in principle and practice with the majority of group actions instituted on lj. I see no justification for name calling or other forms of incivility ever. Of course others' mileage may vary.

In any case, I thank you for this discussion. It's been interesting.

Date: 1 August 2008 12:38 pm (UTC)
ext_2023: (Default)
From: [identity profile] etrangere.livejournal.com
I give the author the benefit of the doubt as well, and I hate name calling, but it won't stop me saying the text is problematic. Calling the text racist isn't the same thing as calling the author a racist, IMO.

"racist" is also more than name calling. It's much too dangerous to remove the tools of criticising racism from people because we fear they are uncivil. I believe we can talk about racism in a civil way, in any case.

Thank you for the discussion as well! :)

Date: 25 July 2008 02:54 pm (UTC)
From: [identity profile] lodessa.livejournal.com
Pretty much just stopping in to say agreed.

Being as Lit Analysis is sort of my field, I had thought (before the internet showed me otherwise) that we had pretty much gotten over the idea of authorial intent. The validity of an interpretation is based on how well it uses the text.

Date: 25 July 2008 04:44 pm (UTC)
ext_2023: (books)
From: [identity profile] etrangere.livejournal.com
Never underestimate the diversity of people's education depending on their age, their background, their nationality when you are online - I think that may be one of the conclusion to infer from the way different people react very differently to ideas which one assumes to be a "given". I agree with you totally about authorial intent and interpretation :)

Date: 25 July 2008 04:50 pm (UTC)
From: [identity profile] lodessa.livejournal.com
Indeed. That's definitely something to take away from this issue.

Date: 26 July 2008 12:12 am (UTC)
solesakuma: (LOL socrates)
From: [personal profile] solesakuma
RE: Lit Analysis. My personal theory is that, for people not in the field, Romanticism never ended. Therefore, the Genius Author stereotype is alive and healthy, school teachers ALWAYS MAKE YOU READ THE AUTHOR'S BIOGRAPHY (which can be an interesting exercise, but mostly serves the use of destroying any other interpretation that may arise), etc.

Date: 28 July 2008 02:07 pm (UTC)
From: [identity profile] lodessa.livejournal.com
That's a really excellent point. If I go into education as opposed to academia (which I am seriously considering right now) I will be sure to try and avoid propagating that idea.

Date: 25 July 2008 03:10 pm (UTC)
elf: Rainbow sparkly fairy (Default)
From: [personal profile] elf
Of course some fanfics do work as criticical interpretations

I've got a half-finished thought that the "Five Things That Never Happened" stories are critical interp, narrative expositions about the characters or the world.

Date: 25 July 2008 04:46 pm (UTC)
ext_2023: (subtext)
From: [identity profile] etrangere.livejournal.com
The form itself can definitly be used for both (and it's one of the most fascinating storytelling-wise narrative form created by fanfics). I see so often critical discussions about "what would have happen if X would have gone differently" when fen discuss a book that I'm surprised when they don't understand some fanfics do exactly the same thing only in narrative form!

Date: 26 July 2008 12:13 am (UTC)
solesakuma: (pride & prejudice)
From: [personal profile] solesakuma
Sometimes, people don't get that my reasons for my choice of career and for being in fandom are exactly the same. I like texts and I like to, well, study them. Whether it's crack!RPGs or a lengthy essay doesn't really matter.

Date: 25 July 2008 04:08 pm (UTC)
ext_6866: (Two for joy of talking)
From: [identity profile] sistermagpie.livejournal.com
Great post--on such a hard subject to talk about. Intention can so slip through your fingers. Shipping wars are often a good example of this, but there's a tendency to assume that if person A thought something, person B must therefore have intention to either offend A or at least to say whatever A thought was said. Hence a lot of talk of "ship baiting" by creators.

There's a really power in intention too--whoever controls the interpretation of intention gets to control the meaning. Like I've read a lot of discussions about, say, racial issues where on one side there's a person saying look, what you said is racist for A,B,C reasons, and that makes me react this way. While the other person says that since they didn't intend it to be racist, it can't be. It all comes down to what they say their intention was, and whether they would label themselves racist. If they don't label themselves a racist then they have no racist intentions then nothing they say can really be racist.

Date: 25 July 2008 05:01 pm (UTC)
ext_2023: (non dualism)
From: [identity profile] etrangere.livejournal.com
Yes! Discussion on people's intent are very difficult to have and ultimately counter productive IMHO. One shouldn't presume of other people's intents, but people's intent shouldn't be held at the end all be all of the matter.

Your experience with discussions on racial issues sounds like mine, and describe exactly what I meant when I talked of privilege. Thank you for describing so well that pernicious logic.

Date: 25 July 2008 10:49 pm (UTC)
ext_2511: (Default)
From: [identity profile] cryptoxin.livejournal.com
This is a really fascinating post. For me, the thing about intention is that it's hard to do without it -- I don't necessarily read with the conscious goal of decoding an author's intentions, but I do read as though those intentions are somehow manifest in the text and relevant. And even the parts of the text that might not result from imputed intention (your example of the dead lesbian/crazy lesbian trope) still come across to me as though they should somehow reflect on the author -- that a text could be read as the sum of the author's intentionality and unintentionality, and that both are significant.

When I think about it, I approach intention in television shows differently than books, because TV shows seem more like the product of a collision of multiple "intentions" (producers, writers, directors, actors, and really everyone else involved to varying degrees) that aren't necessarily coherent or compatible or entirely consistent. Though I probably approach movies more like books, because they seem to tend towards a more unitary vision, even if that's a myth and they're more accurately described as corporate productions made by committee (at least the ones made by big studios).

As for interpretation in fandom, I wonder if one additional reason -- beyond the ones that you list -- for why a particular interpretation might achieve a following in fandom regardless of accuracy is because it's especially productive in generating new stories, discussion, speculation?

Date: 28 July 2008 06:36 pm (UTC)
ext_2023: (drama)
From: [identity profile] etrangere.livejournal.com
but I do read as though those intentions are somehow manifest in the text and relevant.
Well, we are human being, as such our intelligence does tend to function with empathy, framing things as how people think. That's natural. I admit I also prefer Doyslian frames of interpretations than Watsonian ones that totally erase the idea that there were an author writing this things.

that a text could be read as the sum of the author's intentionality and unintentionality, and that both are significant.
For what objective? To judge the writer? Or to judge the work?

When I think about it, I approach intention in television shows differently than books, because TV shows seem more like the product of a collision of multiple "intentions"
Very true and one of the reason I prefer books to TV shows. I like having a feeling of consistent and coherent vision.

As for interpretation in fandom, I wonder if one additional reason -- beyond the ones that you list -- for why a particular interpretation might achieve a following in fandom regardless of accuracy is because it's especially productive in generating new stories, discussion, speculation?
Yes! Some interpretations are just more compelling in their complexity or narrative kinks appeal. Even if there's a simpler explanations, sometimes people do prefer the more complicated, stories & speculation producing theories. I've seen that in the Harry Potter fandom a lot (with a backlash that people often end up being disappointed by the real ending because it fails their expectations).

Date: 26 July 2008 12:08 am (UTC)
solesakuma: (Ohmiya)
From: [personal profile] solesakuma
You're too smart for your own good.
I adore your brain.
So WORD. Being a Lit Analysis student sometimes makes me forget many people still believe that intent is analyzable. I rather study interpretation because it's more easily accesible than intent.
However, I do believe the author should take responsibility for certain interpretations of their texts or at least take them in consideration. And remember that context matters. If ten people tell me a fic of mine is, say, racist, I should at least give it a thought.
And WORD on the 'not all interpretations equal'. Interpretations that presume to know author's intent annoy me specially, both in fandom ('JK ROWLING TOTALLY PUT SIRIUS/REMUS IN THE BOOKS!') or literary studies (no, you don't know what Casa Tomada is about, for the ninth time! NOT EVEN CORTAZAR KNEW!).
But really, it was a simple, clean breakdown of the issues involved. Totally bookmarking it.

Date: 26 July 2008 12:17 am (UTC)
solesakuma: (Matsujun)
From: [personal profile] solesakuma
Also: I do believe the texts allows some interpretations and prohibits others. And that there's a degree of control of the author on those interpretations. One that cannot actually be measured but it does exist.

Date: 28 July 2008 06:56 pm (UTC)
ext_2023: (books)
From: [identity profile] etrangere.livejournal.com
*blushes* thank you.

Agree with what you said :)

Date: 26 July 2008 03:04 am (UTC)
From: [personal profile] rebbe
And you wonder why I say that you're highly intelligent :D

Date: 28 July 2008 06:25 pm (UTC)
ext_2023: (Default)
From: [identity profile] etrangere.livejournal.com
lol thank you :)

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