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I've been thinking about intent and interpretation, in communication and art especially, seeing a lot of things popping on my friendlist and journal related to the same thing.
Writer's intent is why people like
thecorbie think there might be a case against fanfics.
Intent is something that might be or might not be gotten, with a responsability that may or may not be rested on the writer, as per
mithrigil's question here.
Intent is what shippers who ship a non canonical pairing are entirely disregarding when they ship still, as per
a_white_rain criticizes here. (NB: spoilers for Avatar the last airbender's final at this link)
Intent of deconstructing the "Nice Guy" was probably part of what Dr Horrible was about, as
curtana points out here, but which I've seen a lot of people misinterpret as a genuine nice guy whose manpain is oh-so-tragic. (NB: spoilers for Dr Horriblle at this link)
Intent is what doesn't really matter when people say they hadn't mean to be racist, sexist, homophobic, classist, ableist, elitist... if this is what is read by the people who have the best reason to complain of it. Intent, there, is only a way to claim their own priviledge, very often.
In terms of information, when we communicate, there is
1/ what we mean to say, what we intent
2/ what is actually said, in words, in text, in ink on the page, lines on the paper
3/ what is heard and understood by other people, how they interprete it, text and subtext - which is of course as multiple as there is different people.
2/ the text does not have intrasec meaning. There is a platonician ideas tied to it, of pure meaning, of true message. Information is only information because it's interpretated by someone with a brain and there is always always variations, minsinterpretation of intent within it. Because context is something that always infer on the interpretation, and nobody's got exactly the same context at the same time.
1/ intent I think doesn't matter all that much. In our culture, perhaps because of its moral value under Christianism, intent tends to be extremely valued in terms of responsability. However intent is something way to fickle to judge by : first because we don't know other people's intent, we just have to trust their word for it (in which there is yet another pitfall of misinterpretation), second because people may not know their own intent entirely, third because regardless of intent harms can be done as a result in any case. Also, for all of that, it is rude and disrespectful to presume of someone else's intent. It also shifts any discussion of blame from discussion of action/text to discussing a person themselves, which is offensive and often results in wank much more quickly as a result.
So we're left with interpretation.
Are all interpretation equal? Are some more legitimate than others? What makes one interpretation more legitimate than any other? And who's to blame for possible unfortunate (racist, sexist, ableist, homophobic, classist, elititist, etc.) interpretations?
For all that all interpretations are in parts subjective, I don't think they are all equal. If you've spent any time in fandom, you'll have noticed that some extremely extravagant interpretations are sometimes brandied (with or without seriousness). For all its subjectivity, any interpretation is still based on the text, so there are criteria to judged how acurate to the text it is. (No, I'm not going to go at length about the tools to judge that accuracy.)
However the nature of an interpretation also matters. Not all kinds of interpretation pretend to accuracy. Some are merely humouristic (crackful parodies and the like) for example.
Narrative interpretations as in fanfics are also something very different. They don't usually pretend to accuracy (since they're obviously not the original author). Narrative interpretation's legitimacy is based on its own artistic worth. Is it a compelling interpretation. Does it lend itself to a complex, rich, aesthetically-worthy story? This is what gives a fanfic, as interpretation, its legitimacy - the sheer richness of a culture of narrative dialogue and artistic creation.
Likewise with shipping. Historically the biggest backlash against specific non canonical ships (Harmony in Harry Potter and Zutara in Avatar the last airbender) have been because some of their shippers were pretending to some kind of accuracy. I don't think there's anything wrong in itself to make the pro Zuko/Katara interpretation
a_white_rain mentions in the link above, however if such an interpretation is done while saying it is more accurate than any other interpretation there is a problem.
Of course some fanfics do work as criticical interpretations - only done in narrative form. They function as a meta commentary pointing out gaps in the text, or exploiting specific themes. (Some works as a commentary of other fanfics too! Ongoing dialogue that it is). When that is done, accuracy becomes again a criteria.
So what about the moral responsability? Who's to blame for dodgy interpretations? Well if an interpretation pretends to accuracy, and can judged as mostly accurate in consideration of the text, then the responsability sides more on the author's side. If an intepretation pretends to accuracy, but is mostly not accurate with the text, then the responsability is more on the side of the reader. If the interpretation doesn't pretend to accuracy, the author's responsability wasn't ever called in question in the first place.
This is not taking context in consideration, and context matters, does it ever.
First, I've been talking about what an interpretation pretends or does not pretend, but that pretension isn't always made explicit. That is to say, for example, most fanfic writers know they are not pretending to accuracy and know that most of their readers used to fanfics know this as well so they don't usually bother spelling it out. Which, I think, is in parts why outsiders seem to be much more worried about misinterpretation due to fanfics and mistaking the writer's intent for the fanfic. However a lot of fanfics do have a tradition of disclaimer, usually done in terms of "therse characters and settings are not mine". Close enough for me but I haven't been an outsider for a long time.
Second, of course, there's how context infers any unfortunate interpretation. Having a story where a lesbian dies and her girlfriend goes crazy isn't in itself homophobic. It is because there's a history of the very same trope being used overwhelmingly any time lesbian characters are featured, and because of the history of institutionalized homophobia that has been going for a long time in Western culture. So in terms of responsability the quest is, is the context from which the text originated is similar enough to the one from which this interpretation is done? At least it seems to me that this way that can work.
Done now. I hope that wasn't too anvilicious.
Writer's intent is why people like
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Intent is something that might be or might not be gotten, with a responsability that may or may not be rested on the writer, as per
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Intent is what shippers who ship a non canonical pairing are entirely disregarding when they ship still, as per
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Intent of deconstructing the "Nice Guy" was probably part of what Dr Horrible was about, as
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Intent is what doesn't really matter when people say they hadn't mean to be racist, sexist, homophobic, classist, ableist, elitist... if this is what is read by the people who have the best reason to complain of it. Intent, there, is only a way to claim their own priviledge, very often.
In terms of information, when we communicate, there is
1/ what we mean to say, what we intent
2/ what is actually said, in words, in text, in ink on the page, lines on the paper
3/ what is heard and understood by other people, how they interprete it, text and subtext - which is of course as multiple as there is different people.
2/ the text does not have intrasec meaning. There is a platonician ideas tied to it, of pure meaning, of true message. Information is only information because it's interpretated by someone with a brain and there is always always variations, minsinterpretation of intent within it. Because context is something that always infer on the interpretation, and nobody's got exactly the same context at the same time.
1/ intent I think doesn't matter all that much. In our culture, perhaps because of its moral value under Christianism, intent tends to be extremely valued in terms of responsability. However intent is something way to fickle to judge by : first because we don't know other people's intent, we just have to trust their word for it (in which there is yet another pitfall of misinterpretation), second because people may not know their own intent entirely, third because regardless of intent harms can be done as a result in any case. Also, for all of that, it is rude and disrespectful to presume of someone else's intent. It also shifts any discussion of blame from discussion of action/text to discussing a person themselves, which is offensive and often results in wank much more quickly as a result.
So we're left with interpretation.
Are all interpretation equal? Are some more legitimate than others? What makes one interpretation more legitimate than any other? And who's to blame for possible unfortunate (racist, sexist, ableist, homophobic, classist, elititist, etc.) interpretations?
For all that all interpretations are in parts subjective, I don't think they are all equal. If you've spent any time in fandom, you'll have noticed that some extremely extravagant interpretations are sometimes brandied (with or without seriousness). For all its subjectivity, any interpretation is still based on the text, so there are criteria to judged how acurate to the text it is. (No, I'm not going to go at length about the tools to judge that accuracy.)
However the nature of an interpretation also matters. Not all kinds of interpretation pretend to accuracy. Some are merely humouristic (crackful parodies and the like) for example.
Narrative interpretations as in fanfics are also something very different. They don't usually pretend to accuracy (since they're obviously not the original author). Narrative interpretation's legitimacy is based on its own artistic worth. Is it a compelling interpretation. Does it lend itself to a complex, rich, aesthetically-worthy story? This is what gives a fanfic, as interpretation, its legitimacy - the sheer richness of a culture of narrative dialogue and artistic creation.
Likewise with shipping. Historically the biggest backlash against specific non canonical ships (Harmony in Harry Potter and Zutara in Avatar the last airbender) have been because some of their shippers were pretending to some kind of accuracy. I don't think there's anything wrong in itself to make the pro Zuko/Katara interpretation
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Of course some fanfics do work as criticical interpretations - only done in narrative form. They function as a meta commentary pointing out gaps in the text, or exploiting specific themes. (Some works as a commentary of other fanfics too! Ongoing dialogue that it is). When that is done, accuracy becomes again a criteria.
So what about the moral responsability? Who's to blame for dodgy interpretations? Well if an interpretation pretends to accuracy, and can judged as mostly accurate in consideration of the text, then the responsability sides more on the author's side. If an intepretation pretends to accuracy, but is mostly not accurate with the text, then the responsability is more on the side of the reader. If the interpretation doesn't pretend to accuracy, the author's responsability wasn't ever called in question in the first place.
This is not taking context in consideration, and context matters, does it ever.
First, I've been talking about what an interpretation pretends or does not pretend, but that pretension isn't always made explicit. That is to say, for example, most fanfic writers know they are not pretending to accuracy and know that most of their readers used to fanfics know this as well so they don't usually bother spelling it out. Which, I think, is in parts why outsiders seem to be much more worried about misinterpretation due to fanfics and mistaking the writer's intent for the fanfic. However a lot of fanfics do have a tradition of disclaimer, usually done in terms of "therse characters and settings are not mine". Close enough for me but I haven't been an outsider for a long time.
Second, of course, there's how context infers any unfortunate interpretation. Having a story where a lesbian dies and her girlfriend goes crazy isn't in itself homophobic. It is because there's a history of the very same trope being used overwhelmingly any time lesbian characters are featured, and because of the history of institutionalized homophobia that has been going for a long time in Western culture. So in terms of responsability the quest is, is the context from which the text originated is similar enough to the one from which this interpretation is done? At least it seems to me that this way that can work.
Done now. I hope that wasn't too anvilicious.
no subject
Date: 25 July 2008 02:33 pm (UTC)Often, but one cannot always discount the biases of the offended party. If I am determined to view the world as against me because of my gender/orientation/religion/etc., then things that are not necessarily offensive become colored by my perception. No one has the right to tell me not to be offended, but the source of the offense comes from my bias, not his/her action. Naturally, extremes do not work in this way. Cross burning is racist, full stop. But if I'm running to catch my train and a black man pushes past me and that action prevents me from catching the train, his action makes him inconsiderate, but not immediately racist or chauvinist. If I choose to interpret his action as anything other than inconsiderate without additional information, that comes from my biases. Again, you can often discount intent, but not always.
Having a story where a lesbian dies and her girlfriend goes crazy isn't in itself homophobic. It is because there's a history of the very same trope being used overwhelmingly any time lesbian characters are featured
I kind of think that "Character goes crazy/acts extremely irrationally when his/her romantic interest dies" is a universal trope.
no subject
Date: 25 July 2008 04:42 pm (UTC)I kind of think that "Character goes crazy/acts extremely irrationally when his/her romantic interest dies" is a universal trope.
I definitly think it is a universal trope. However homosexual relationships in media have been almost always depicted with this trope whereas heterosexual relationships have had this trope used among many many others. The wrongness of it isn't the trope in itself - as I was saying - but that it has been used overwhelmingly any time lesbian characters were featured - at least up until the late 90's.
no subject
Date: 25 July 2008 08:39 pm (UTC)no subject
Date: 26 July 2008 01:00 am (UTC)Yes, I think there are objective criteria that one can use to determine whether or not a text is vehicle for racism or not. Claiming lack of intent isn't enough if those criteria are present. You can say racist things without meaning to. Your belief that this is not so does not make it so.
no subject
Date: 26 July 2008 02:15 am (UTC)no subject
Date: 28 July 2008 06:29 pm (UTC)no subject
Date: 28 July 2008 09:28 pm (UTC)I happen to agree with that statement; text has no intrinsic meaning independent of context. But if that is the case then any combination of words is going to be subject to misinterpretation of intent and all the research in the world is not necessarily going to identify a racist statement removed from its context.
no subject
Date: 28 July 2008 09:40 pm (UTC)For all that all interpretations are in parts subjective, I don't think they are all equal. If you've spent any time in fandom, you'll have noticed that some extremely extravagant interpretations are sometimes brandied (with or without seriousness). For all its subjectivity, any interpretation is still based on the text, so there are criteria to judged how accurate to the text it is.
You also seemed to entirely missed the point where I said that not having a racist intent didn't mean the text couldn't have a racist interpretation. That works both way : a text having a racist interpretation doesn't mean there were a racist intent. I wouldn't go around telling someone that they are a racist when it's very likely the racist interpretation of their text was unintentional. Yet I still think they should take responsibility for it, apologising to people they'd offended and removing or stroking those offensive parts... and take care to be better informed the next time.
no subject
Date: 29 July 2008 01:02 am (UTC)no subject
Date: 29 July 2008 09:30 am (UTC)You keep arguing as if disagreeing made your point true even though you don't address my arguments.
no subject
Date: 29 July 2008 02:00 pm (UTC)Or are you arguing that texts with a potentially racially charged meaning do have intrinsic meaning imposed on them by some kind of community consensus?
Or are you arguing something else altogether?
no subject
Date: 31 July 2008 12:18 am (UTC)Context plays a lot in terms of why an interpretation of racist meaning is present in the text, but I only hold the writer responsible for that if their context is similar enough to the one the interpretation comes from.
Is that more clear?
no subject
Date: 31 July 2008 01:34 am (UTC)no subject
Date: 31 July 2008 09:38 am (UTC)no subject
Date: 31 July 2008 03:56 pm (UTC)no subject
Date: 31 July 2008 04:00 pm (UTC)no subject
Date: 31 July 2008 09:36 pm (UTC)I ask because it seems to me, getting back to my original comment to you, that it is these community responses that generally degenerate into uncivil behavior on both sides.
no subject
Date: 31 July 2008 09:40 pm (UTC)There are so many sources of uncivil behaviour in fandom, I doubt banning talking against racism (perceived or not) in texts is the one way to civility. And it's pretty problematic in itself.
no subject
Date: 1 August 2008 12:27 pm (UTC)In any case, I thank you for this discussion. It's been interesting.
no subject
Date: 1 August 2008 12:38 pm (UTC)"racist" is also more than name calling. It's much too dangerous to remove the tools of criticising racism from people because we fear they are uncivil. I believe we can talk about racism in a civil way, in any case.
Thank you for the discussion as well! :)
no subject
Date: 25 July 2008 02:54 pm (UTC)Being as Lit Analysis is sort of my field, I had thought (before the internet showed me otherwise) that we had pretty much gotten over the idea of authorial intent. The validity of an interpretation is based on how well it uses the text.
no subject
Date: 25 July 2008 04:44 pm (UTC)no subject
Date: 25 July 2008 04:50 pm (UTC)no subject
Date: 26 July 2008 12:12 am (UTC)no subject
Date: 28 July 2008 02:07 pm (UTC)no subject
Date: 25 July 2008 03:10 pm (UTC)I've got a half-finished thought that the "Five Things That Never Happened" stories are critical interp, narrative expositions about the characters or the world.
no subject
Date: 25 July 2008 04:46 pm (UTC)no subject
Date: 26 July 2008 12:13 am (UTC)no subject
Date: 25 July 2008 04:08 pm (UTC)There's a really power in intention too--whoever controls the interpretation of intention gets to control the meaning. Like I've read a lot of discussions about, say, racial issues where on one side there's a person saying look, what you said is racist for A,B,C reasons, and that makes me react this way. While the other person says that since they didn't intend it to be racist, it can't be. It all comes down to what they say their intention was, and whether they would label themselves racist. If they don't label themselves a racist then they have no racist intentions then nothing they say can really be racist.
no subject
Date: 25 July 2008 05:01 pm (UTC)Your experience with discussions on racial issues sounds like mine, and describe exactly what I meant when I talked of privilege. Thank you for describing so well that pernicious logic.
no subject
Date: 25 July 2008 10:49 pm (UTC)When I think about it, I approach intention in television shows differently than books, because TV shows seem more like the product of a collision of multiple "intentions" (producers, writers, directors, actors, and really everyone else involved to varying degrees) that aren't necessarily coherent or compatible or entirely consistent. Though I probably approach movies more like books, because they seem to tend towards a more unitary vision, even if that's a myth and they're more accurately described as corporate productions made by committee (at least the ones made by big studios).
As for interpretation in fandom, I wonder if one additional reason -- beyond the ones that you list -- for why a particular interpretation might achieve a following in fandom regardless of accuracy is because it's especially productive in generating new stories, discussion, speculation?
no subject
Date: 28 July 2008 06:36 pm (UTC)Well, we are human being, as such our intelligence does tend to function with empathy, framing things as how people think. That's natural. I admit I also prefer Doyslian frames of interpretations than Watsonian ones that totally erase the idea that there were an author writing this things.
that a text could be read as the sum of the author's intentionality and unintentionality, and that both are significant.
For what objective? To judge the writer? Or to judge the work?
When I think about it, I approach intention in television shows differently than books, because TV shows seem more like the product of a collision of multiple "intentions"
Very true and one of the reason I prefer books to TV shows. I like having a feeling of consistent and coherent vision.
As for interpretation in fandom, I wonder if one additional reason -- beyond the ones that you list -- for why a particular interpretation might achieve a following in fandom regardless of accuracy is because it's especially productive in generating new stories, discussion, speculation?
Yes! Some interpretations are just more compelling in their complexity or narrative kinks appeal. Even if there's a simpler explanations, sometimes people do prefer the more complicated, stories & speculation producing theories. I've seen that in the Harry Potter fandom a lot (with a backlash that people often end up being disappointed by the real ending because it fails their expectations).
no subject
Date: 26 July 2008 12:08 am (UTC)I adore your brain.
So WORD. Being a Lit Analysis student sometimes makes me forget many people still believe that intent is analyzable. I rather study interpretation because it's more easily accesible than intent.
However, I do believe the author should take responsibility for certain interpretations of their texts or at least take them in consideration. And remember that context matters. If ten people tell me a fic of mine is, say, racist, I should at least give it a thought.
And WORD on the 'not all interpretations equal'. Interpretations that presume to know author's intent annoy me specially, both in fandom ('JK ROWLING TOTALLY PUT SIRIUS/REMUS IN THE BOOKS!') or literary studies (no, you don't know what Casa Tomada is about, for the ninth time! NOT EVEN CORTAZAR KNEW!).
But really, it was a simple, clean breakdown of the issues involved. Totally bookmarking it.
no subject
Date: 26 July 2008 12:17 am (UTC)no subject
Date: 28 July 2008 06:56 pm (UTC)Agree with what you said :)
no subject
Date: 26 July 2008 03:04 am (UTC)no subject
Date: 28 July 2008 06:25 pm (UTC)